
AmpliTube® for iOSは、バーチャルなギター / ベース用機材を自由に組み合わせて、リアルなサウンドで演奏することを可能にしてくれる、iPhone、iPad、iPod touch対応のギター / ベース用エフェクト&アンプ・アプリです。
直観的に操作できる美しいグラフィック・ユーザー・インターフェイスを備えたAmpliTube for iOSは、オリジナル実機を忠実にモデリングしたギアの数々で、ギター / ベースのパフォーマンス・セットアップを自由に構築することができます。
Get the generational sound of Metal with this collection of gear that defined a sound from the '70s thru the '90s to today. Includes 3 amps & cabs: Brit 8000, JCA20H, MH-500 Metalhead. Includes 3 stomps: Power Grid, T-Rex Mudhoney, Ambass'dor.
以下のギアが含まれます:
3機種のアンプ
3機種のキャビネット
3つのストンプ
Early Metal Collectionは、アプリ内課金でご購入いただけます。また、Vintage Collectionは、2022年までに発売されたすべてのギア・モデルを収録するアプリ内課金「All-In Bundle Collection 2022」に含まれます。同様に、Vintage Collectionに含まれるアンプとエフェクターは、All-Amps Collection 2022とAll-FX Collection 2022にそれぞれ含まれます。
AmpliTube for iOSでは、最大6台のストンプボックス(アンプの前に4台、アンプの後に2台)、アンプ・ヘッドとスピーカー・キャビネット、そして最大2本のマイクロフォンを組み合わせてギター・セットアップを構築することができます。ストンプボックスの配列や、アンプとキャビネットの組み合わせ、マイクの設置は自由自在。まったくオリジナルなセットアップを構築することさえ可能です。
AmpliTube for iOSは、オリジナルのモデルを忠実に再現した、美しいグラフィックのユーザー・インターフェイスを備えています。しかしながら、見かけ倒しではありません。AmpliTube for iOSは、数々のプロフェッショナルに愛用され、数々の録音で実際に使用されてきたMac/PCバージョンのAmpliTube 3 Custom Shopと同じサウンド・エンジンを搭載しているのです。ですから、そのサウンドを一度でも聴いていただければ、なぜ高い人気と評価を得てきたのか、ご理解いただけることでしょう。
AmpliTube for iOSとAmpliTube for Mac/PCの サウンドをぜひ聴き比べてください。
細部にまでこだわるIKの開発陣のことですから、どのギアも、グラフィックの見た目ばかりでなく、オリジナル実機が持つサウンドの特性がその微妙なニュアンスに至るまで丁寧にモデリングされたものばかりです。
AmpliTubeの新たなライブ・モードでは、ステージ上で必要な全ての情報が一目でわかるようレイアウトされています。
チェーン全体をしっかりと見渡すことができ、エフェクトのON / OFFは分かりやすくインジケーターで示され、またプリセットを簡単に表示して切り替えることもできます。
ライブ・モードはタッチで簡単に有効にできますので、思う存分ステージでのパフォーマンスに集中できます。
あなたはAmpliTubeの世界クラスのスタジオ・サウンドを得ながらにして、ペダルボード同様のライブを行うことができるのです。
AmpliTubeは様々なコントローラーとの連帯も簡単に行うことができます。例えばIKの革命的USBペダルボード・コントローラー & オーディオ・インターフェースのiRig Stomp I/Oなら、エフェクトのON / OFF、プリセット切り替えやセッティングの調整を従来のペダルボードと同じフィーリングで行うことができます。iRig BlueBoardなら、同様にエフェクトのON / OFF、プリセット切り替えをワイヤレスで行うことができます。AmpliTubeはMIDIに対応していますので、iRig MIDI 2のようなIKのMIDIインターフェースを用いて外部コントローラーを接続し、わずか数回のタップで簡単にパッチやパラメーターにアサインすることもできます。
AmpliTube for iOSには、18機種のストンプボックス・エフェクト(Overdrive、Delay、Chorus、Wah、Flanger、Octave、Envelope Filter、Phazer、Fuzz、Noise Filter、Swell、Electric Flanger、Crusher、Dcomp、FeedBack、Phazer 10、Volume、そしてDistortion*)、8機種のアンプ(Clean、Crunch、Lead、Metal、Bass、British Copper 30TB、Vintage Metal Lead、360Bass Preamp)と、それぞれのアンプにマッチするスピーカー・キャビネット10機種、そして2機種のマイクロフォン(Dynamic 87とCondenser 87)の計37機種のギア・モデルが装備されています。(*Distortionはユーザー登録により制限解除。)
360Bass
Based on Acoustic® 360™ bass preamp
British Copper 30 TB
Based on Vox® AC30™ - copper panel
Vintage Metal Lead
Based on Marshall® JMP100™ head
Clean
Based on Fender® blackface Deluxe Reverb®
Crunch
Based on Vox® AC30™
Lead
Based on Marshall® JCM800
Metal
Based on Mesa/Boogie® Triple Rectifier® (Lead Channel)
Bass
Based on Ampeg® SVT classic bass head
Crusher
Dcomp
Electric Flanger
Feedback
Phazer 10
Swell
Chorus
Delay
Distortion
Envelope Filter
Flanger
Fuzz
Octave
Overdrive
Phazer
Wah
最初はこれで十分かもしれません。しかしながら、AmpliTubeの最大の特徴の1つは、膨大なギア・モデルのライブラリーで、このバーチャルなギター機材庫を拡張することができるという点です。
アプリ内課金で追加可能なギア・モデルには、MESA/Boogie®、Orange®、Fender®、ENGL®など、古今東西の名機のメーカー公認ギア・モデルがラインアップされています。さらに、Brian May Collection、Dimebag Darrell CFH、AmpliTube SlashやAmpliTube Jimi Hendrix™のような名ギタリストが実際に使用している(使用していた)シグネチャー・モデルの公認ギア・モデルも含まれています。こうしたギア・モデルは、ギター・ショップの棚のようにアイコン表示されますから、視覚的に選択し、オリジナルなギター・セットアップを構築することができるのです。
AmpliTubeでは、音作りの可能性に制限はありません。Cab Roomでは、プロの録音スタジオのように3D表示されるアンプ、スピーカー・キャビネットと、最大2本のマイクを組み合わせて、その位置を自由に設定可能です。
アンプとスピーカー・キャビネットの組み合わせも自由ですから、マイクのタイプや、マイク位置の違いによる微妙な響きの違いなど、自由に探求することができます。
AmpliTubeには、標準で1トラックのレコーダー機能が装備されており、アプリ内課金により、マルチトラック同時録音も可能な8トラック・レコーダーに拡張可能です。レコーディング・ミキサーの各チャンネルには、ミュート、ソロ、パン、レベル、チャンネルごとのエフェクト・センドなどが装備されています。
さらに、同じくアプリ内課金により、DAWスタイルの波形表示をベースにした編集機能も追加することができます。完成したミックスは、WAV形式や.m4a形式のファイルとして書き出したり、共有したりすることが可能です。
すなわち、AmpliTubeだけで、演奏から、作曲、アレンジ、録音、ミックスに至るまで、1つの作品を完成させることさえ可能なのです。
1人で演奏するのは味気ないですか?AmpliTubeには、Loop Drummer機能が装備されています。イントロ、フィルなども含む、伴奏用のドラム・トラックを簡単に作成することができます。作成したドラム・トラックはレコーダー / DAWセクションにコピーすることが可能です。
あらかじめロック・スタイルのループが用意されていますが、アプリ内課金のStyle Pack(各パックそれぞれに64ループを含みます)により、ロック、ブルーズ、カントリー、ポップ、ファンク、パンク、メタル、エレクトロなど、さまざまな音楽スタイルのループを追加することができます。Loop Drummerのライブラリーは、何と総計500以上ものドラム・ループを擁する膨大なものです。
オリジナルなループの録音に対応したルーパー機能は、最大4つのループまで同時再生が可能です(アプリ内課金により追加可能)。オリジナルのフレーズやリフ、コードなどを重ねて録音し、ループにあわせてギターを演奏することができます。さらに加えて、このループは書き出し可能ですから、友人やバンド仲間とループを交換したり、共有することが可能です。
AmpliTubeには、極めて精度の高いクロマティック・チューナーとメトロノーム機能が標準で装備されています。しかし、それだけではありません。アプリ内課金により UltraTuner を追加することが可能なのです。UltraTunerは、これまでに発売されたどんなチューナー・アプリよりもすばやく、高精細に動作するチューニング・エンジンを採用したモバイル・チューナーです。
独自のデュアル解析処理エンジンにより、1/100セントという、大型のストロボ・チューナーさえ凌駕する精度でピッチを検知します。UltraTunerは、ギターやベースだけでなく、ボーカルや弦楽器、管楽器などでも正確なピッチで演奏するためのトレーニングにも最適でしょう。
他のアプリとの連携にも抜け目はありません。AmpliTubeは、iOSのアプリ間の連携機能も充実しています。iOS 8以降でサポートされたAppleのInter-App Audioにも対応していますから、Apple GarageBandのようなお気に入りのアプリで、AmpliTubeのアンプやストンプボックスを活用することができるのです。
AmpliTubeは、別売のサード・パーティのアプリ、 Audiobus にも対応しています。最大3つのアプリの間でオーディオのルーティングが設定できるこのアプリを使えば、他のアプリから出力される音声をAmpliTubeでエフェクト処理したり、録音したりすることが可能です。
ひとたびお気に入りのサウンドを見つけたら、セッションを始めてみたくなるのが人の常。AmpliTubeには、スピード・トレーナー機能も備えた「Song」セクションが装備されており、iOSデバイスのミュージック・ライブラリーに保存されているお気に入りの楽曲の音楽ファイルをAmpliTubeにインポートして、一緒に合わせて演奏することができます。Wi-FiやiTunesのファイル共有機能を使ってインポートすることも可能です。スピード・トレーナー機能では、読み込んだ音楽ファイルのピッチを変えることなく再生スピードを変更することが可能ですから、コピーや練習に便利でしょう。NO VOICE機能でセンターに定位した音像をキャンセルすることもできますから、読み込んだ音楽ファイルに合わせて演奏すれば、気分は大スター。
Right from the start, you get 18 creative stompbox effects (Crusher, Dcomp, Electric Flanger, Feedback, Phazer 10, Swell, Delay, Fuzz, Overdrive, Wah, Envelope Filter, Chorus, Flanger, Phaser, Octave, Noise Filter, Volume and Distortion), 8 amplifiers (360Bass, British Copper 30 TB, Vintage Metal Lead, Clean, Crunch, Lead, Metal and Bass), 10 speaker cabinets and 2 microphones (Dynamic 57 and Condenser 87).
And did we mention that it sounds amazing? That's because every piece of gear in AmpliTube for iOS uses the same high-definition digital signal processor (DSP) as AmpliTube for Mac and PC. This DSP is so advanced that it's considered an industry benchmark.
This DSP also applies to the massive library of expansion content that you can use to augment your AmpliTube experience. There's an entire world of gear waiting for you inside AmpliTube, all you have to do is dive in. Its intuitive carousel system and ultra-realistic graphics make the whole "checking out new gear" experience as fun and effortless as walking into your local guitar store. The only difference is that you dont have to hear a bunch of jerks mangling their way through "Stairway to Heaven" while you browse. How's that for technological progress?
You will be amazed by the comprehensiveness of AmpliTube's expansion content. We've got a selection of droolworthy gear from some of the most respected brands in the business: MESA/Booogie®, Orange®, Fender®, ENGL®, Soldano®, Marshall® — you name it, we've probably got it. And if we don't, you can be sure that we're actively working on adding it soon. We've also got killer artists collections to choose from that let you act out your guitar god fantasies with the exact rigs favored by such legends as Joe Satriani, Brian May, Dimebag Darrell, Slash and Jimi Hendrix. You can get entire collections or individual models like the MESA/Boogie® Triple Rectifier, ENGL® Powerball, the T Rex Engineering® "Moller" Classic overdrive and more. Wanna shred like the pros? AmpliTube gives you the gear; the rest is up to you.
And once you've purchased a piece of gear, it's yours. You can use iCloud to transfer your purchased gear between versions and devices, such as from AmpliTube CS (FREE) to AmpliTube LE or from your iPad to your iPhone (limited to 10 device transfers per user).
Red Pig
Based on Marshall® Major™ amp head
Brit Valve Pre
Based on Marshall® JMP-1™ tube preamp
Brit 8000
Based on Marshall® JCM800™ amp head
Brit 9000
Based on Marshall® JCM900™ amp head
Brit Silver
Based on Marshall® Jubilee™ amp head
British Copper 30 TB
Based on Vox® AC30™ - copper panel
Vintage Metal Lead
Based on Marshall® JMP100™ head
Clean
Based on Fender® blackface Deluxe Reverb®
Crunch
Based on Vox® AC30™
Lead
Based on Marshall® JCM800
Metal
Based on Mesa/Boogie® Triple Rectifier® (Lead Channel)
Metal 150
Based on Peavey® 5150™ head
Metal W
Based on Randall® Warhead 300™
sld 100
Based on Soldano® SLO-100 head
360Bass
Based on Acoustic® 360™ bass preamp
Bass
Based on Ampeg® SVT classic bass head
Green BA250
Based on Trace Elliot® AH250™ Head
SVX-500
Based on Ampeg® BA500® Model
SVX-CL
Based on Ampeg® SVT-CLASSIC® Model
SVX-VR
Based on Ampeg® SVT-VR® Model
SVX-4B
Based on Ampeg® V-4B® Model
SVX-15N
Based on Ampeg® HERITAGE B-15N® Model
SVX-15R
Based on Ampeg® B-15R® Portaflex “Flip Top” Model
SVX-PRO
Based on Ampeg® SVT-4 PRO® Model
SilverTwelve
Based on Silvertone® Twin Twelve 1484
JH 1200
Based on the Sunn® 1200S
HiAmp
Based on Hiwatt® DR103™ Amp
Jazz Amp 120
Based on Roland® JC-120™
Mark III
Officially Certified
Mesa Boogie® Mark III™ Combo Model
Mark III - back side
Officially Certified
Mesa Boogie® Mark III™ Combo Model - back side
Mark IV
Officially Certified
Mesa Boogie® Mark IV™ Combo Model
Mark IV - back side
Officially Certified
Mesa Boogie® Mark IV™ Combo Model - back side
Dual Rectifier
Officially Certified
Mesa Boogie® Dual Rectifier® Head Model
Dual Rectifier - back side
Officially Certified
Mesa Boogie® Dual Rectifier® Head Model - back side
Triple Rectifier
Officially Certified
Mesa Boogie® Triple Rectifier® Head Model
Triple Rectifier - back side
Officially Certified
Mesa Boogie® Triple Rectifier® Head Model - back side
TransAtlantic TA-30
Officially Certified
Mesa Boogie® TransAtlantic® TA-30 Combo Model
’57 Custom Twin-Amp™
Officially Licensed '57 Custom Twin-Amp™ Model
’57 Custom Pro-Amp
Officially Licensed '57 Custom Pro-Amp Model
’57 Custom Deluxe™
Officially Licensed '57 Custom Deluxe™ Amp Model
’57 Custom Champ®
Officially Licensed '57 Custom Champ® Amp Model
’57 Bandmaster™
Officially Licensed '57 Bandmaster™ Amp Model
’53 Bassman®
Officially Licensed '53 Bassman® Amp Model
’65 Super Reverb®
Officially Licensed '65 Super Reverb® Amp Model
Twin Reverb
Officially Licensed '65 Twin Reverb™ Amp Model
Super-Sonic
Officially Licensed Super-Sonic™ Amp Model
Pro Junior
Officially Licensed Pro Junior™ Amp Model
Bassman
Officially Licensed '59 Bassman™ LTD Amp Model
Deluxe Reverb
Officially Licensed '65 Deluxe Reverb™ Amp Model
MH-500 Metalhead
Officially Certified MH-500 Metalhead™ Amp Model
AD200
Officially Certified Orange® AD200B MK 3™ Head Model
AD30
Officially Certified Orange® AD30TC™ Combo Model
OR50
Officially Certified Orange® OR50H™ Head Model
Rockerverb 50
Officially Certified Orange® RockerVerb 50 MKII™ Head Model
Thunderverb 200
Officially Certified Orange® Thunderverb™ 200 Head Model
Tiny Terror
Officially Certified Orange® Tiny Terror™ Head Model
Dual Terror
Officially Certified Orange® Dual Terror™ Head Model
Powerball
Officially Certified Engl® Powerball Head Model
E650
Officially Certified Engl® E650 Head Model
JCA20H
Officially Certified Jet City Amplification 333® JCA20H™ Head Model
JCA100H
Officially Certified Jet City Amplification 333® JCA100H™ Head Model
Satch VM
Based on the Marshall® JVM410HJS
SJ50
Based on the Peavey® 5150
Boston 100
Based on the Tom Scholz Rockman® X100
AFD 100
Officially Certified Slash-Marshall® AFD100
JCM Slash
Officially Certified Slash-Marshall® JCM SLASH 2555SL
The Ambass'dor
Crusher
Dcomp
Electric Flanger
Feedback
Phazer 10
Swell
Chorus
Delay
Distortion
Envelope Filter
Flanger
Fuzz
Noise Filter
Octave
Overdrive
Phazer
Wah
Big Pig
Compressor
Limiter
Metal Distortion
Parametric EQ
Reverb
Six Band Graphic_EQ
Wharmonator
X-Flanger
Acoustic Sim
Bass Octaver
Bass OD
Opto Tremolo
EP Tape Echo
Volume
Fender Blender™
Officially Licensed
Fender Blender™ Model
Fender Compressor
Based on Fender
Cyber-Twin™ SE Compressor
Fender Overdrive
Fender Phaser
Officially Licensed
Fender Phaser Model
Fender Tape Echo
Based on Fender
Cyber-Twin™ SE Tape Echo
Moller
Officially Certified
T-Rex® Mudhoney Model
Moller
Officially Certified
T-Rex® Møller Model
Replica
Officially Certified
T-Rex® Replica Model
Power Grid
Officially Certified
Seymour Duncan® Power Grid Model
Shape Shifter
Officially Certified
Seymour Duncan® Shape Shifter Model
Satch Wah
Based on
Vox® Big Bad Wah
Satch Distortion
Based on Joe’s personal
BOSS® DS-1
Satch Overdirve
Based on early ‘80s
Japanese-made BOSS® OD-1
Tube Overdrive
Based on Joe’s personal
Chandler® Tube Driver
Satch Octave
Based on a traditional
Fulltone® Ultimate Octave
30
Based on a traditional
analog 30-band Graphic EQ
Red Special
Based on
Brian May’s guitar
Treble Booster
Based on
KAT® Treble Booster
May Wah
Based on a rackmount
Dunlop® Cry Baby
FOX Phaser
Based on
fOXX® Foot Phaser
30
Based on a traditional
analog 30-band Graphic EQ
Star Gate
Based on a
classic Noise Gate
6 Band EQ
Based on
MXR® 6 band EQ
Pre EQ 3
Based on
Furman® PQ-3
Dime Wah
Based on Dunlop®
Cry Baby® GCB95
Flanger Doubler
Based on
MXR® Flanger Doubler
Dime Noise Gate
Based on
Rocktron® Hush IIB
/Delay
Based on
BOSS® DD-3
Booster
Based on MXR® CAE
MC401Boost/Line Driver
Gate
Based on
MXR® Smart Gate®
Octo Blue
Based on MXR®
Blue Box™ Octave Fuzz
Wah Dist
Based on Dunlop®
Slash Signature Wah SW95
X-Chorus
Based on
MXR® M134
Fuzz Age
Based on
Arbiter® Fuzz Face™
Octa-V
Based on
Roger Mayer® Octavia™
Uni-V
Based on
Univox® Uni-Vibe™
Wah 46
Based on
Vox® Wah V846™
Imagine yourself walking into a store containing every speaker cabinet from every amp you’ve ever played though. Now imagine swapping out the cabinets — even from the combos — without the use of stagehand labor or a chain saw. You’ve just entered the new AmpliTube “Cab Room” and you’re going to love what it can do for your tone.
First, you will notice that we’ve already mic’d the matching cabinet for you.
You can use that cabinet, after all it’s what the manufacturer wanted you to do, or you can select a completely different cab from a wide range of installed amps.
Want to hear what Slash’s Marshall head sounds like with a Fender Deluxe Reverb single 12”? No problem! Mix and match until your ears and tone pleasure center rejoice! The combinations of what you can do are endless.
Walk into any recording studio and what do you see in front of the guitar cabinet? That’s right — microphones. Engineers and players are constantly tweaking mic selection and placement trying to find that “sweet spot” that really makes the difference between good sound and great sound.
Here’s where the magic comes in: In the new Cab room, we’ve replicated that process allowing you to play around with microphone placement in a three dimensional space, just like in the studio. You can freely move microphones from the dust cap to the edge of the speaker, and experiment with placing microphones at varying distances from the cabinet. You can mix the amount of sound from each mic with an intuitive slider, plus you can choose from 18* total available high-end studio mics.
Go ahead and mix it up. You’ll be amazed at the different sounds you can get with just a few tweaks of a mic stand, the right cab for the job and the perfect mic selection.
Get the speaker tight, then mic it right. That’s the name of the “sweet spot” platinum tone game.
1x12"
Based on Fender® blackface Deluxe Reverb® Cabinet
2x12"
Based on Vox® AC30™ Cabinet
2x12" GBV
Based on Vox® AC30™ Cabinet
4x12" RED
Based on Marshall® Major 4x12” slanted cabinet loaded with T75 speakers
4x12" B30
Based on Marshall® 1960A Lead Vintage 4x12” slanted cabinet loaded with V30 speakers
4x12" B90
Based on Marshall® 1960 Lead Vintage 4x12” slanted cabinet loaded with T75 speakers
4x12" Brit 8000
Based on the Marshall® 1960 Lead Vintage Slanted 4x12” Cabinet equipped with G12-80 speakers
4x12" Closed Modern
Based on the Marshall® 4x12” Cabinet
4x12" SLV
Based on Marshall® 2551A 4x12” slanted cabinet loaded with T75 speakers
4x12" A
Based on Marshall® 4x12" Cabinet with "Greenback" speakers
4x12" B
Based on Mesa/Boogie® 4x12" Rectifier® Cabinet
4x12" T1
Based on Mesa/Boogie® 4x12" Cabinet
4x12" PV
Based on Peavey® 5150™ 4x12" Cabinet
4x12" MM1
Based on Marshall® JCM800™ 4x12" Cabinet
1x15"
Based on Ampeg B15R™ 1x15" Cabinet
8x10" E
Based on Ampeg® SV-T810E® 8x10" Cabinet
1x18" HB
Based on Acoustic® 360 Horn Bass Cabinet
8x10" SVX
Based on Ampeg® SVT-810 AV® 8x10" Cabinet
2x12" SVX
Based on Ampeg® SVT-212 AV® 2x12" Cabinet
1x15" SVX
Based on Ampeg® HERITAGE B-15N® 1x15" Cabinet
1x15" B
Based on Ampeg® B-15R® Portaflex “Flip Top” 1x15" Cabinet
4x10" SVX
Based on Ampeg® SVT-410H® 4x10" Cabinet
4x10"+tw TE Bass
Based on Trace Elliot® 4x10 8x10" Cabinet
2x10" SVX-500
Based on Ampeg® BA500® 2x10" Cabinet
8x10" SVX-810E
Based on Ampeg® SV-T810E® 8x10" Cabinet
8x10" SVX-810E
Based on the Silvertone® 2x12” Guitar Cabinet
2x15 Closed B J130
Based on the Fender® Bassman® 2x15” Cabinet
4x12 HiAmp
Based on Hiwatt® 4x12 Guitar Cabinet
2x12 JP Jazz
Based on the cabinet section of the Roland® JC-120™ 2x12 Combo Guitar Amplifier
1x12" Mark III
Officially Certified
Mesa Boogie® Mark III™ 1x12" Combo Cabinet
1x12" Mark IV
Officially Certified
Mesa Boogie® Mark IV™ 1x12" Combo Cabinet
2x12" Rectifier
Officially Certified
Mesa Boogie® Recto® 2x12" Horizontal Cabinet
2x12" TA30
Officially Certified
Mesa Boogie® TransAtlantic® TA-30 2x12" Combo Cabinet
4x12" Rectifier
Officially Certified
Mesa Boogie® Recto® 4x12" Traditional Slant Cabinet
2x12" FTC
Officially Licensed '57 Custom Twin-Amp™ 2x12” Cabinet
1x15" FCP
Officially Licensed '57 Custom Pro-Amp 1x15” Cabinet
1x12" FCD
Officially Licensed '57 Custom Deluxe™ 1x12” Cabinet
1x8" FCC
Officially Licensed '57 Custom Champ® 1x8” Cabinet
3x10" FB
Officially Licensed '57 Bandmaster™ 3x10” Cabinet
1x15" FB
Officially Licensed '53 Bassman® 1x15” Cabinet
4x10" FSR
Officially Licensed '65 Super Reverb® 4x10” Cabinet
2x12" FT
Officially Licensed
'65 Twin Reverb® 2x12” Open Back Cabinet
1x12" FS
Officially Licensed
Super-Sonic™ 1x12” Cabinet Model
1x10" FP
Officially Licensed
Pro Junior™ 1x10” Open Back Cabinet
4x10" FB
Officially Licensed
'59 Bassman™ 4x10” Open Back Cabinet
1x12" FD
Officially Licensed
'65 Deluxe Reverb™ 1x12” Open Back Cabinet
4x12" MH-412SL
Officially Licensed MH-412SL 4x12” Cabinet
4x12" PPC
Officially Certified
Orange® PPC412 4x12" Cabinet
1x12" PPC
Officially Certified
Orange® Tiny Terror™ 1x12" Combo Cabinet
2x12" PPC
Officially Certified
Orange® PPC212 2x12" Open-Back Cabinet
2x12" AD30
Officially Certified
Orange® AD30TC™ 2x12" Combo Cabinet
1x15" OBC
Officially Certified
Orange® OBC115 1x15" Cabinet
4x12" STD
Officially Certified
Engl® E 412 4x12" Standard Cabinet
4x12" XXL
Officially Certified
Engl® E 412 PRO XXL 4x12" Cabinet
4x12" SG
Based on ’69 Marshall® 4x12
equipped with Greenback Celestion™ speakers
4x12" s60
Marshall® 1960B 4x12
equipped with G12T-75 Celestion speakers
Boston
Based on the cabinet emulation section of the Rockman X100
1x6" BM
Based on custom cab by John Deacon
2x12" BM1
Based VOX® AC30™ 2x12
equipped with Celestion™ Alnico Blue speakers
2x12" BM2
Based VOX® AC30™ 2x12
equipped with Celestion™ G12H Anniversary speakers
4x12" ASL
Officially Certified
Slash-Marshall® 1960AV Cabinet
4x12" BSL
Officially Certified
Slash-Marshall® 1960BV Cabinet
2x15" J
Based on Fender® Dual Showman™ 2x15" Cabinet
equipped with J.B.Lansing D130F™ speakers
4x12" J
Based on Marshall® 4x12" Cabinet
equipped with J.B.Lansing® D120F™ speakers
Bottle 563
Based on
Neumann® CMV-563
Condenser 12
Based on
AKG® C12
Condenser 67
Based on
Neumann® U67
Condenser 84
Based on
Neumann® KM84
Condenser 87
Based on
Neumann® U87
Condenser 170
Based on
Neumann® TLM 170
Condenser 414
Based on
AKG® C414
MD1b-FET
Based on
Groove Tubes® MD1b-FET
Tube VM
Based on
Brauner® VM1
Dynamic 20
Based on
Electro-Voice® RE20™
Dynamic 57
Based on
Shure® SM57™
Dynamic 421
Based on
Sennheiser® MD421
Dynamic 441
Based on
Sennheiser® MD441
Dynamic 609
Based on
Sennheiser® MD609
Vintage_Dynamic 20
Based on
Electro-Voice® RE20™
Ribbon 121
Based on
Royer® R121
Ribbon 160
Based on
Beyerdynamic® M160
Velo-8
Based on
Groove Tubes® VELO-8
You're on the go. You've got an idea. You want to get it down. But how?
The answer is in AmpliTube's built-in recording features. AmpliTube comes with a single-track recorder that can be expanded in two big ways via in-app purchase.
The first is 8-track simultaneous audio recording with master effects.
The second is Studio, a DAW-style waveform-editing suite.
When you have both enabled, AmpliTube transforms your mobile device into a fully mobile professional recording studio that has everything you need to make complete music productions while on the go.
The AmpliTube recorder provides you with up to 8 channels of simultaneous audio recording which means you can plug in your iRig Pro Duo or other class compliant multi-channel USB audio interface and record a duo or your whole band without leaving AmpliTube.
Touching the “Mixer” button in the bottom control bar accesses the Recorder/Mixer section. There’s a pre-roll feature that lets you set two measures of count-in before you start recording so you can lock onto the tempo and nail your part right from the downbeat. The recorder offers 8 available tracks for recording and a bounce feature for freeing up tracks as you need them.
Another one of AmpliTube's useful features is "effects freeze." It simplifies the application of effects on individual tracks. AmpliTube remembers the signal chain setup per track so you can go back at any time and try a different set of effects on your tracks, just like you would when using a DAW with plug-ins on your Mac or PC. Pretty slick, right?
The Mixer section gives you everything you need for professional audio production. Each track has:
Want to add some polish to your mix? The Master Effects section has been designed to give you everything you need to add that extra punch to your finished works. This section is accessed by touching the "Mast FX" button. There you'll find the Send 1 and Send 2 effects processors.
Each of these allows you to choose from 3 levels of Reverb, 2 levels of Chorus and 3 levels of Delay. Use the “Adjust” button to fine tune the time and depth of the chosen effect’s main parameter. You can also control just how much of the effect shows up in the mix by using the Input, Mix and Output knobs.
Finally, what would a master effects section be without an equalizer? AmpliTube gives you a 3-band parametric EQ that's been specially made to help you bring out the sweetness of your overall mix. Take that, run it through the included compressor for tightness and gain control, and you'll have a finished product that's ready to be heard by your fans.
AmpliTube also has a powerful editing tool: AmpliTube Studio. Its DAW-style interface will be very familair to recording veterans and very intuitive for recording novices. Studio brings precise waveform editing and audio region manipulation to the mobile world. It's an easy, visual way of arranging while on the go that's remeniscent of some of the most powerful desktop music creation tools.
Touching the “STUDIO” button in the bottom control bar accesses AmpliTube Studio. It provides access to a range of features that have been designed to help you achieve sonic perfection. Using it is easy, it's split in two display regions on the screen: The Track Control section is on the left and the waveform timeline grid is on the right. With both in front of you, you also have access to the full signal chain plus effects, recording tools, mixing functions and more.
The Track Control section houses the controls you need to adjust and tweak the sound on individual tracks. Touch any waveform display on the right — or empty space or track number — to access the individual controls for that track on the left. Knowing where you are at any given time is simple: The number in the upper left hand corner indicates the currently selected track.
You can adjust how much of the track’s signal goes to the master effects section by using the “SEND 1” and “SEND 2” knobs. The master effects section can be accessed by touching the "MASTER" button (this is great for fine tuning). In addition, we've also included a Track EQ section below the Master button that let lets you fine-tune the EQ on each individual track, just like on a professional mixing console.
In addition to these crucial features, you also get a level meter, a peak light, a quick FX Edit button, pan control and a console-style fader for fine volume adjustment on each track.
At the core of the studio module is the waveform display section. This is where most of your audio editing will be done. From this section, you can select audio material by touching on the waveform display. This then lets you perform multiple types of edits with ease: cut, copy, copy track, paste, delete region, delete track, normalize volume or split at playhead.
Tap the waveform you want to edit to gain access to the full range of editing commands. These functions provide all the basic tools you need for working with audio regions. You can even move audio forwards and backwards in the timeline by dragging the waveform around on the screen.
AmpliTube also has a few other great tools destined to make your audio life easier: Fade In, Fade Out and Crop. Creating a fade is as simple as selecting the region you want to fade, and then dragging the triangle in the top left corner right to create a fade-in. The farther from the beginning of the region you drag the triangle, the longer the fade-in becomes. Pretty easy.
Creating a fade-out is done the same way, only go to the upper right corner of the audio region and drag the triangle to the left.
Cropping an audio region is done in a similar fashion. Grab the triangle at the bottom of the region (either left or right, depending on where you want it cropped), and then move it either direction to crop.
Navigation in Studio is done with both multi-touch and simple gestures. You can zoom in and out of a region by pinching in or out with two fingers on the screen. Alternatively, to get more screen real estate, you can hide the Track Control section by swiping left on the black handle just to the left of the track 4 indicator number.
At the top of the screen is the navigation bar, and it serves three handy functions: First, it is divided into bars, beats and divisions so you have a reference point in the composition. As you zoom in (by pinching out with two fingers), you’ll notice more gridlines showing up. These are handy for precisely aligning audio material with rhythms and beats.
Second, you can define loop start and end points by dragging a finger from left to right. You’ll notice a green area shows up when you do this. Drag the left triangle to the beginning of your desired loop and the right triangle to the end. Once defined, double tap on the green area to activate it. Then hit play on the transport to begin playback of the loop. The third feature is creating a “punch in” recording area. Drag your finger from right to left in the navigation bar and you'll create a red “Punch in” section. Adjust the start and end points with the triangle handles, and then activate it with a double-tap. You can de-activate loop and punch in regions by double-tapping again.
Just south of the Navigation bar is the “Loop Drummer” track. If you’ve programmed a killer beat using the built-in Loop Drummer feature, it will show up in this track. You can edit your drum sequence in this track by touching and dragging the drum parts around. You can also add more drum parts to the sequence by touching the “DRUMS” button in the bottom nav bar. Then touch and drag out the chosen drum sectio to the desired position in the track. A “double-tap” on a drum part will duplicate it to the right of the original. This makes it super easy to create awesome, professional-sounding rhythm tracks in a snap.
Other individual track features include the ability to solo, mute, record enable and activate the AmpliTube signal chain on a track. You can record audio material directly to a track in the Studio view by using the “PLAY”, “RECORD”, “REWIND” and metronome transport controls at the bottom of the screen. There’s also a “GRID” button that turns “grid-snapping” on and off, plus “UNDO” and “REDO” commands for the human in us all.
Inside AmpliTube, you'll find a powerful loop-based rhythm module called Loop Drummer that lets you quickly create great sounding drum tracks.
Loop Drummer can play on its own or act as the drum section for AmpliTube's built-in recorder. It automatically syncs to the recorder, so when you hit play or record, Loop Drummer plays along in perfect time. But Loop Drummer offers way more than just loops that play over and over, its unique Remix feature intelligently generates full-length drum parts with intros, beats, fills and endings.
Or, if you prefer, you can also use Loop Drummer to build your own patterns. It’s even got its own mix window.
Loop Drummer comes with a collection of rock loops, but you can expand it easily and inexpensively via in-app purchase. We offer Style Packs that contain 64 loops each, and give you eight different song-construction kits based around a core drumbeat. For each you get all the song parts you’ll need to put an awesome, and full-length drum track together.
The Style Packs come in all major genres including Rock, Blues, Country, Pop, Funk, Punk, Metal, Electro, Jazz, Reggae and more. You can buy them individually or purchase them in pre-selected groups. All told, there are over 1000 loops in the Loop Drummer collection!
Press the Remix button and Loop Drummer will instantly construct a full drum track for you just like a producer would. Each time you press this button, you'll get a different variation. It's a great feature that offers an endless source of inspiration that will take your jam, practice and composition sessions to the next level.
And if you're a "hands-on" kind of musician, don't worry. You can also build drum tracks yourself by auditioning loops in Loop Drummer's browser. Just drag and drop the loops you like onto the timeline. If you want to tweak a part, it's easy. You can your loops, add crashes, tap in new tempos and a whole lot more — it's all just a touch away.
One of the most impressive features about Loop Drummer is how it works in tandem with AmpliTube’s recorder. Hit play or record on the recorder, and Loop Drummer will plays along in perfect sync. And if you have the multitrack option for the recorder (available as an in-app purchase), you'll have all the tools you need to put together entire productions, including authentic-sounding drum parts.
Another great thing: Loop Drummer’s audio doesn’t take up any tracks on the recorder. It has its own separate audio channel that's combined automatically with the recorder’s output. To adjust the drum level in the mix, all you have to do is adjust Loop Drummer's volume control.
You can also use your favorite Loop Drummer arrangements in other applications. It's easy: Just press the Export button in Mix Mode to bring up the "Export Sequence" screen. This lets you send you send your sequence to the iOS Clipboard or to the File Sharing app folder (for iTunes File Sharing with your computer).
Loop Drummer’s interface is super simple. Choose a Style and Groove by pressing the arrows near the top and bottom of the screen respectively. Choose loops from the Ring Browser — it’s the circle in the middle of the window with the snare drum in it.
The button outside the ring with the speaker icon is the Preview button. Press it. When it lights, it's activated. Now press any loop in the Ring Browser and it will play.
The Timeline at the bottom of the window is where the loops in the drum sequence go. If you're using the Remix feature, the arrangement will show up there after you press the Remix button (the circular arrows on the upper right of the screen). If you're building the arrangement manually, drag a loop from the browser into the timeline. It will now be a part of your arrangement.
To switch the arrangement of your loops just press, hold and drag. You can also add crashes on the downbeat by highlighting a chosen loop on the timeline. You can set the overall tempo by tapping the tempo button (or you can just enter a value if you want to be precise).
Press the Mix button to access the circular volume control. This also adjusts Loop Drummer’s tempo and functions as a reverb send.
Looper is one of the many useful tools available as an add-on for AmpliTube. As its name suggests, it gives you a quick and easy way to create up to 4 synced audio loops. Created a looped-up masterpiece? Looper lets you easily save and export your work. It's the perfect sketchpad for new ideas; it's intuitive interface that's designed for experimentation and self-accompaniment will inspire you to think in an entirely new (and loopy) musical way. Record melodic loops, leads, percussive riffs, vocals, chord progressions and more, all at the touch of a button.
Using Looper is easy. Just set your preferred BPM and enable the metronome feature. Then tap the "rec" icon on the first loop button. From there it's 4, 3, 2, 1, go! Loop 1 will begin recording automatically, and it wont stop recording until you tap on the button again.
And no matter when you tap to end your loop, your loops will always sound good because each loop is quantized to the nearest quarter note. Once closed, Loop 1 will continue to play, setting the stage for you to repeat the process with loops 2 through 4. Just tap the "rec" icon on the second loop to start recording the next layer, and so on. The length of your first loop determines the length of all the loops the follow. Once you've captured your audio, you can mute and un-mute individual loops by simply tapping on the loop you want to silence with your finger. It's really that easy!
Want to get tricky while performing live with your loops? That's also a piece of cake: Looper can also be controlled via iRig Stomp I/O and iRig BlueBoard (or any MIDI controller).
That means you can assign each of Looper's loop buttons to a corresponding physical button on a pedal board.
Now you can trigger loops from the floor, leaving your hands for more creative things, like playing your guitar.
AmpliTube is also a great tool for improving your chops. It has a slick song player section that lets you import songs and backing tracks. You get full control over these tracks, so you can speed them up or slow them down — all without changing pitch. It’s perfect for when you want to learn complex riffs and licks. It also features a “NO VOICE” mid-range cancelling feature that lets you turn off the lead vocal or guitar solo from an existing track so that you can step up and take center stage.
Nearly 20 years ago, AmpliTube pioneered single component modeling technology, and was the first company to go beyond the “black-box modeling” approach of electronics. Today, IK Multimedia continues to lead the pack when it comes to model accuracy of all the elements in the complete signal chain with innovative solutions and ultra-accuracy that no other brand can match.
Who do the top manufacturers in the industry trust to make ultra-accurate models of their gear? That’s right, IK Multimedia and AmpliTube. But don’t just take our word for it when we say we offer the best-sounding, most accurate software modeling in the industry. Check out our partner roster of 18 (and growing) of the world’s best amplifier and effects pedal manufacturers who rely on IK Multimedia for accurate digital reproductions of their products. When Fender®, MESA/Boogie®, Orange®, Soldano®, Ampeg®, ENGL® and many more decided to put their name on virtual models of their gear, they chose the best — AmpliTube.
With nearly 300 individual gear models available, AmpliTube offers more tonal variety than anything else on the market. We have modeled almost every amp and effect circuit ever produced since the birth of electric guitar and effects pedals.
No matter what type of tone you are aiming for, only AmpliTube has the right gear for it.
Our approach to creating hyper-realistic models of gear is firmly rooted in the best “Made in Italy” craftsmanship tradition. We don’t simply “look at schematics” and listen to sound samples like other companies. Not only do we acquire the real units by painstakingly searching for the “best specimen of its kind,” but we always approach any new piece of gear as a unique modeling project. From thorough and detailed analysis of the circuit using the most advanced modeling algorithms to hours of A/B sound testing and dedicated audio engineering craftsmanship, our process delivers the “true to the original” best possible sound for your projects.