For over 50 years, TEAC recorders have empowered countless musicians to create and record themselves. Used on everything from basement demos to platinum albums, these devices offer iconic warmth and character known the world over.
Join IK as we celebrate TASCAM's 50th anniversary with the T-RackS TASCAM® Tape Collection. Give your tracks those beloved vintage vibes with 4 officially certified versions of their most sought-after units, using IK’s award-winning analog tape modeling technology.
Analog tape audio recorders are complex systems. They impart magic to the audio material, lifting the art within to a higher level. They add musicality to music.
What a tape machine adds to audio is the result of a number of interactions amongst several interdependent factors. More than just saturation, compression, or EQ alone, these factors work together, one affecting each other with the dynamics of music, adding a “movement” that goes into the soul of what we perceive.
Decades of music produced on these pieces of artful human engineering have tailored the way we think music should sound. It’s imprinted in our DNA.
For the T-RackS TASCAM Tape collection, each machine was chosen specifically by TASCAM and TEAC themselves, recommending particularly sought-after models from their history and helping IK source the best-sounding units. Each machine then went through a complete restoration to bring them perfectly back “to spec” before the scientific modelling process started.
IK’s DSP engineering team then took each stage apart, analyzed them in-depth, and produced a model of the entire magnetic tape-recording process. This model works in symbiosis with a powerful dynamic convolution engine to capture the essence of the real machines, faithfully bringing the complete picture of these complex analog engineering marvels to the digital realm.
The program coming out of these units is very similar to the one coming in, just better. It's subtle, but the impact is anything but.
And the T-RackS TASCAM Tape collection faithfully brings all this magic right to your DAW.
Made in collaboration with TASCAM for their 50th anniversary, this collection includes 4 of their most popular and iconic tape machines. Some of these are part of music history. Some still have fan pages all over the web. But all of these are incredibly sounding examples of tape recorders that can add warm textures and colors to your recorded tracks.
The TEAC A-6100 MKII mastering recorder is still highly sought-after today, thanks to both its robust design and incredible sound. Featuring controls to fine-tune your sound, including record and playback EQ settings, the A-6100 MKII is the one to add tape warmth and color to your master bus and more.
The TEAC A-3340S is the 4-track tape recorder behind some of the most famous demos and songs in history. For example, The Doobie Brothers used a A-3340S to record several of the song demos that earned them a record deal, while Brian Eno and others still use it today for its sonic qualities.
The TASCAM 388 was a huge success, combining a mixing console and tape machine in one to create a real winner. Kelley Stoltz made the 388 famous again around 2001 when he used it to record some hit songs and their sound went viral. Ever since, the 388 has kept its magic status.
Today, the TASCAM PORTA ONE is used for “lo-fi” sounds, creative experiments and even for live performance. However, when using its "standard" settings, the PORTA ONE's sound is warm and clear, offering the sonic signature that made it so popular then and again today.
Depending on which TASCAM tape machine you're using, there's a choice of 4 different tape formulations to try, each with its own unique tone. The exception is the TASCAM PORTA ONE, which offers a choice of 2 cassette tape formulations: Type I and Type II.
All TASCAM Tape Collection plug-ins share the same set of controls to enhance the ease of use and allow for quick A-B comparisons among them. Key features include:
Signal path selection:
With “Input,” the signal only passes through the input and output electronic stages of the recorders, bypassing the tape. Depending on how the recorder is designed, the “Input” path can sound extremely transparent or just slightly more colored. “Repro” passes your signal through the entire analog recording system: input-> recording amplifier -> recording head -> tape -> playback head -> playback preamplifier -> output stage.
Even a perfectly aligned tape machine will have slight level, EQ and distortion differences between the left and right channels. This is good and part of the analog recording mojo! The T-RackS TASCAM Tape Collection perfectly recreates these subtle differences to deliver the real experience. If perfectly identical left and right channel processing is a must, simply disable this feature.
Select the speed of the tape transport between 7.5 and 15 inches per second (“ips”). The higher speed gives you more fidelity, and the lower speed delivers a warmer, rounder tone.
Precisely models the behavior of the mechanical transport. Small irregularities in the movement of the tape creates various degrees of sonic alteration to the audio program, especially between the two channels. Keep it on for the magic to happen! In case a perfectly steady performance is needed, just disable the control.
Ideal bias voltage settings provide maximum sensitivity and low distortion. Intentionally overbiasing is a common technique to produce a warmer, gently saturated sound. Underbiasing can be used to nicely boost the high frequencies in a truly unique way and add distortion and other nonlinear effects.
Like all T-RackS plug-ins, the TASCAM Tape Collection offers you two ways to work: as a stand-alone plug-in, or inside the T-RackS 5 shell. Use these together with any of the other 39 T-RackS processors to mix and master faster than ever creating a powerful, lightning-fast workflow.
The T-RackS shell offers a unique modular system with up to 16-processor chains, series & parallel routing, easy A/B/C/D comparison, up to 192 kHz / 32-bit floating point processing and much more, in both a plug-in and stand-alone mastering application.
TEAC A-6100 MKII
TASCAM PORTA ONE
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T-RackS® is a registered trademark property of IK Multimedia Production. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. LA-2A and 1176 LN are registered trademarks of Universal Audio, Inc. IK Multimedia's products, specifically, the T-RackS 3 Black 76 Limiting Amplifier and T-RackS 3 White 2A Leveling Amplifier, are manufactured and developed by IK Multimedia based on its own modeling techniques. Universal Audio has neither endorsed nor sponsored IK Multimedia's products in any manner, nor licensed any intellectual property for use in this product. Leslie is a trademark property of Hammond Organ/Leslie, wholly-owned brand subsidiaries of Suzuki Musical Instruments Mfg., Ltd. of Hamamatsu, Japan, used under license. Fairchild® is a registered trademark property of Avid Technology, Inc. Pultec® is a registered trademark property of Pulse Techniques, LLC. Ampex® is a registered trademark property of Ampex Corp. Studer® is a registered trademark property of Studer International AG. Revox® is a registered trademark property of Revox AG Corporation. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH. ARC System™ is a trademark property of IK Multimedia Production Srl. Audyssey™, MultEQ®, Audyssey MultEQ® are trademarks property of Audyssey Laboratories™ Inc. used under license.