ARC System 2.5 with MEMS microphone is the first acoustic correction system that combines a super accurate MEMS measurement microphone, measurement software AND a correction plug-in to greatly improve the audio monitoring accuracy of speakers in any studio or room listening environment in an elegant, portable, affordable, easy to use and extremely professional solution.
With literally thousands of ARC-based studios worldwide, you can be confident you are making a sound choice!
ARC System 2.5 now includes a brand new, ultra-precise MEMS measurement microphone that perfectly works in synergy with ARC’s correction software (previous ARC mic models will be supported.) The microphone is built around an omnidirectional, high precision MEMS capsule that ensures maximum response accuracy and stability over time.
In contrast to standard condenser measurement microphones, which are potentially subject to subtle frequency response variations over time, MEMS technology is far more stable.
Thanks to the manufacturing process behind them, MEMS microphones boast extreme resistance to humidity and temperature variations as well as increased durability. This means that they are much more forgiving to “professional abuse” and you can carry them around without worrying about damaging them. Also, all microphones units that are manufactured following this procedure, share the same degree of accuracy with near-zero variation in terms of final performance from unit to unit.
As a result, all measurement processes will always be spot on, repeatable and reliable even after longer periods of time.
Did you know? The ARC System 2.5 MEMS microphone makes for a great additional OMNI pattern recording tool you can add to your mic arsenal! Use it to capture the natural ambience of a studio/room while recording vocals, guitars and other acoustic instruments.
ARC simply takes your room “out of the mix.” Now you can explore your creativity and mix with confidence.
ARC employs Audyssey MultEQ® XT32 patented technology to improve your monitoring system ensuring that what you hear is not being affected by problems caused by room acoustics.
Near field monitor systems generally used in studio applications are designed to deliver sound without distortion or coloration; however, when they are placed in a room, the surrounding walls, ceiling, furniture, and other objects reflect and absorb sounds, creating complex artifacts specific to that room that ultimately cause the monitors to lose the accuracy they have been designed for in the first place. As a result, you end up hearing more of the room’s sound, than the music being reproduced.
Traditionally studio acoustics can be improved with acoustic treatments – but these are generally very expensive and require professional installation – which is often not practical in many of today's home and project studios. Other types of electronic correction systems use some form of equalization that works only on the frequency response of the room but worsen the phase response of the audio material. ARC System neatly solves all these problems with a unique and innovative DAW (Digital Audio Workstation,) based solution that works both in the frequency and time domain and is not affected by any of the drawbacks of other types of correction systems.
ARC is designed to provide everything you need to turn any room into a place where serious music production happens. Now you can listen and mix with utmost confidence, knowing that what you hear is what is actually there. All you have to do to is plug the microphone in and follow a few simple steps. No rocket science involved.
With ARC you can improve the acoustics of ANY room. An untreated room will experience a dramatic improvement – but also treated rooms will sound MUCH better depending on the quality of the existing treatment. From amateur bedroom studios to the most professional high-end treated rooms, ARC will make an improvement in your monitoring environment.
ARC gives you everything you need get the job done in a few minutes. Simply follow a few easy instructions on your screen and you are ready to mix. ARC gets the job done in just 7 measurements. However, if you want the highest standard of precision, it allows up to 16 different measurements to reach the ultimate level of room correction.
ARC automatically gathers all the information it requires to accurately correct the entire room and not just the engineer's "sweet spot." Then, once all the measurements have been taken, ARC calculates a correction algorithm that you can apply to your music by firing up the ARC correction plug-in on your DAW master bus. Easy as that. Now you can reach peace of mind and sonic bliss in your ARC corrected room and never miss the important details of your recordings ever again.
Thanks to ARC System you can edit, mix and master with complete confidence, knowing what you hear is not being affected by the acoustics of your room. Once you are ready to export your mix, just disable the plug-in and voilà, your music will now translate accurately and consistently to the outside world on a variety of playback systems.
ARC will shed new light on the perspective of what you are producing, mixing or mastering. Low-end alterations, typically added by small rooms, will be removed giving you better control on low frequencies, usually the shortcoming in the vast majority of home and project studios.
You will also have a more consistent frequency response across the entire spectrum and the tonal balance will be restored, allowing you to get more accurate mixes. Room defects will no longer capture your attention so you will work on your music faster, with less ear fatigue and greater consistency on your final music productions.
The new improved low-frequency resolution is now 4x better, (from 40 Hz down to 10 Hz) and effectively flattens the low-end response in the most uneven room.
ARC System 2.5 improves the correction in the mid and high frequency range, making the correction process totally transparent, with clearer and more precise response. You can now completely rely on what a speaker-set corrected with ARC is delivering, even in the most demanding studio environment, where extremely high quality speakers and state-of-the-art rooms are the rule.
ARC improves the correction in high-end control rooms where the left and right monitors are positioned with absolute symmetry, improving the stereo image focus when working with elements panned dead-center in the mix - like vocals, bass, snare, etc.
Adjust and/or trim the frequency response with gentle wideband changes to accommodate the way your hearing’s perception is already subtly adapted to the irregularities of your own room.
With the "Virtual Monitoring" section you can intentionally shape the sound of the monitoring setup to match devices like LCD TVs, car audio systems, small radios, etc. This way you can quickly listen to your mix on other "virtual" band-limited systems to ensure a perfect sound translation.
The Monitor Control panel provides the most frequently used control features: a big main volume knob to set your listening level, a DIM switch with an adjustable level, a MUTE switch and a listening "MODE" selector which can be toggled between standard Stereo, Mono or Side for quick reference checks. This added collection of tools creates a familiar, flexible "Control Room" workflow style for a superior listening experience and improved accuracy in mixing/mastering applications.
Pair ARC System 2.5 with iLoud MTM, IK’s award-winning high-resolution compact desktop monitors, for a new level of transparent, accurate sound in any studio. Since iLoud MTM already includes an ARC 2.5 MEMS microphone for self-calibration, these qualify owners for the ARC System 2.5 software upgrade. So you’ll save big and enjoy the best possible combination of sound quality and acoustic correction, to deliver professional mixes in virtually any setting.
iLoud Micro Monitors set a new standard for size vs. performance, and now iLoud MTMs deliver stunning sound and features you ’d expect from monitors twice their size and price. See how iLoud MTMs have re-invented studio monitoring.
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ARC System™ is a trademark property of IK Multimedia Production Srl. Audyssey®, Audyssey MultEQ® XT 32 are registered trademarks property of Audyssey Laboratories™ Inc. used under license. All other product names and trademarks are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Use of these names does not imply any cooperation or endorsement. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries.The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH.