Hyper Realistic Tone
with over 140 pieces of gear

Take your playing to the next level with AmpliTube 4 Deluxe. It gives you all the hyperrealistic tone and flexibility of AmpliTube 4 plus a ton of extra gear not found in the standard version for a grand total of 140 pieces of gear that includes amplifiers, cabinets, stompboxes, speakers, microphones, rack effects and more. And you get all this in addition to revolutionary features like AmpliTube 4's hyperrealistic cab room, dual 3D mic positioning, individual speaker selection, 8-track recorder, looper and UltraTuner. Want the full treatment? Get AmpliTube 4 Deluxe.

Included Gear

AmpliTube 4 Deluxe includes all the gear models available inside AmpliTube 4 plus an additional 101 pieces of gear for a total of over 140 models. You get:

  • 33 Stompbox models including: Acoustic Sim, Chorus, Flanger, Opto Tremolo, Delay, Wah Pedal, Diode Overdrive, Compressor, Graphic EQ and more
  • 25 Amplifiers including: American Tube Clean 1, British Tube Lead 1, Solid State Bass Preamp, Jazz Amp 120 plus 5 all new classic British amps and more
  • 29 Cabinets including: 4x12 Brit 8000, 4x12 Brit 9000, 4x12 Red Pig, 4x12 Brit Silver, 4x10 Open Vintage, 2x12 Closed Vintage, 4x12 Closed Vintage 1 and more
  • 29 Vintage and modern individual speaker models
  • 12 Microphones including: Double Dynamic 57, Dynamic 57, Condenser 414, Condenser 87 and more
  • 15 Rack effects units including: Digital Delay, Parametric EQ, Rotary Speaker and more
  • 2 Tuners: UltraTuner plus a fully chromatic rack tuner

AmpliTube 4 Deluxe includes 5 new classic amplifier models that represent some of the best British tones from the 70s, 80s and 90s plus an “Acoustic Sim” model pedal, a double mic setup and UltraTuner, the most precise digital tuner available.

at4-amp-Red_Pig

Red Pig - Based on Marshall® Major™ amp head

at4-cab-3d-4x12_Red_Pig

4x12 Red Pig - Based on Marshall® Major
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Silver

Brit Silver - Based on Marshall® Jubilee™ amp head

at4-cab-3d-4x12_Brit_Silver

4x12 Brit Silver - Based on Marshall® 2551A
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_8000

Brit 8000 - Based on Marshall® JCM800™ amp head

at4-cab-3d-4x12_Brit_8000

4x12 Brit 8000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with G12-80 speakers

at4-amp-Brit_9000

Brit 9000 - Based on Marshall® JCM900™ amp head

at4-cab-3d-4x12_Brit_9000

4x12 Brit 9000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Valve_Pre

Brit Valve Pre - Based on Marshall® JMP-1™ tube preamp

at4-cab-3d-4x12_Brit_30

4x12 Brit 30 - Based on Marshall® 1960A Lead Vintage
4x12 slanted cabinet loaded with V30 speakers

acoustic_comp

Acoustic Sim - Turns the electric guitar into a hyper-realistic acoustic

at4-amp-Brit_Valve_Pre

Double Dynamic 57 - A special mic setup based on a pair of Shure SM57 microphones

at4-plugin-tuner

UltraTuner The most precise digital tuner available

Other Included Gear

As a standalone software and DAW plug-in, AmpliTube 4 Deluxe comes with the gear listed above plus all the other gear you see below.
If you currently own a previous version of AmpliTube or individual gear models, you can use the Custom Shop feature to restore all of your gear.

You can also expand your rig with more gear models available through
the built-in Custom Shop feature.

Delay
This model is based on a traditional digital delay stomp pedal.
EchoMan
Based on Electro-Harmonix® Memory Man
10
A model of a classic bucked-brigade analog echo/delay (with modulation) stomp pedal effect.
Crusher
5
This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it. This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes. The Low pass filter is very creative when combined to high distortion levels.
Diode Overdrive
A model of a classic overdrive stomp effect.
Overdrive
Based on BOSS® SD-1
15
One of BOSS’s earliest and most collectible pedals, the SD-1 is one of the most aggressive overdrive pedals ever made. From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone.
OverScream
Based on Ibanez® Tube Screamer
10
This is a model of a classic overdrive/distortion pedal which has become the go to overdrive pedal for some of the most influential guitar players of all time. It's basic controls make it easy to dial in the exact sound you want.
The Ambass'dor
Based on Marshall® Guv'Nor
15
This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion. This model packs a whole powerful amp into a single stomp box.
Compressor
This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse.
Dcomp
Based on MXR® Dynacomp™
10
This effect is modeled after a vintage compression stomp pedal.
7 Band Graphic
This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone. It is also very useful when you need to “push” the signal for the next stompbox or amp.
10 Band Graphic
5
This is a clean sounding 10-band graphic EQ. Useful for dialing in a range of different tones, or to boost the input to one of AmpliTube Metal’s amps for even more extreme distortion.
Envelope Filter
Advanced filter effect
5
This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects.
LFO Filter
Stomp effect uses an LFO to modulate the frequency of its filter
5
This complex stomp effect uses an LFO to modulate the frequency of its filter. With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble.
Rezo
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar
15
A unique effect that can add synth-like drones and sustaining resonances to your parts. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
Step Filter
A powerful and deep beat synced filter effect
15
A powerful and deep beat synced filter effect. Can apply Low / High and Band pass analog modeled filtering on freely customizable patterns to add groove and rhythmic pulsing to your parts. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
Wah
This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature.
Wah 10
Based on Ibanez® WH-10
15
This is a faithful rendition of a very sought-after wah pedal. Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal.
Fuzz Age
Based on Arbiter® Fuzz Face®
10
This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years.
Chorus
This chorus is modeled after a classic Digital Chorus stomp box.
Chorus-1
Based on BOSS® CE-1
10
A model of a classic bucked-brigade analog Chorus/Vibrato unit. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable.
Electric Flanger
Based on Electro-Harmonix® Electric Mistress
15
This stomp box is a model of a vintage flanger/filter matrix used by many well-known guitarists to achieve classic sounds. While it has amazing warmth, it is also capable of very versatile chorus and ring modulation type sounds.
Flanger
Classic Flanger Effect
This stomp box is a model of a classic Flanger effect.
Opto Tremolo
Based on Fender® Opto-Tremolo
This model is based on a vintage Opto-Tremolo effect.
Phazer 10
Based on MXR® Phaser 100
10
A model of a classic analog multimode Phaser stomp box.
Small Phazer
Based on Electro-Harmonix® Small Stone
15
This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects. You may wonder why it is called "small" when you hear it.
Harmonator
3 Voice Digital Harmonizer Effect
5
This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale. Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale.
Octav
Based on BOSS® OC-2
10
This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal.
Pitch Shifter
This effect shifts the pitch of the incoming signal
10
This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects.
Volume
This model is a traditional volume pedal.
Step Slicer
Beat synced slicing effect
15
Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
Swell
15
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention. Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
Digital Delay
This advanced delay modeled effect can add a variety of depth to the sound, by providing five different delay modes. The delay can also be synced to the host tempo providing even more flexibility.
Digital Reverb
5
This digital reverb is capable of adding small amount of space to a signal or creating a huge hall around the instrument.
Tap Delay
15
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.
Graphic EQ
5
Based on a traditional analog 31 bands Graphic EQ, each band has +/- 15 dB boost, plus RESET button (total reset of all bands at 0 dB) and Level slider (+/- 15dB). Perfect for overall tone shaping.
Tube Compressor
5
This compressor was modeled after a classic tube compressor. It is a very versatile, smooth compressor, and can add great color to the signal.
Rezo
15
A unique effect that can add synth-like drones and sustaining resonances to your parts. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
Step Filter
15
A powerful and deep beat synced filter effect. Can apply Low / High and Band pass analog modeled filtering on freely customizable patterns to add groove and rhythmic pulsing to your parts. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
Analog Chorus
5
This classic analog stereo chorus model adds depth and space to the input signal. It can also be used as a vibrato effect.
Digital Chorus
5
This modeled digital chorus effect creates a clear articulate chorus effect. Like the analog chorus, this effect adds depth and space to the input signal, but adds a different color to the overall signal.
Digital Flanger
5
This model of a digital flanger can create a metallic modulated sound.
Rotary Speaker
5
This effect is a model of a rotary speaker cabinet. Rotary speaker cabinets create a lush vibrato/chorus effect and add a tremendous amount of depth to the sound.
Harmonator
5
The Harmonator is an advanced harmonizing effect with three separate voices, each with independent harmony, level and pan. By entering the key and scale that the instrument is playing, the harmonator analyzes the input signal and track the three independent voices to the correct music key and scale.
Pitch Shifter
5
This pitch shifting effect creates an independent harmony voice that can be blended with the original signal to create harmony lead parts and duet type guitar lines.
Step Slicer
15
Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
Stereo Enhancer
5
The stereo enhancer model widens and narrows the stereo image.
Swell
15
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention. Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
Dynamic 57
Based on Shure® SM57™
This model has a flatter frequency response than the other dynamic mics. This mic is highly regarded as a guitar mic and used widely in studios all over the world.
Dynamic 20
Based on Electro-Voice® RE20™
5
This mic model recreates a smooth reaction across a wide spectrum of frequencies, especially attractive in the low area. This means that the Dynamic 20 is a great selection for acoustic and electric bass.
Dynamic 421
Based on Sennheiser® MD421
5
Probably the second most popular dynamic mic to use on guitar amps, this model provides a equally pleasing sound, but is a warmer than the 57.
Dynamic 441
Based on Sennheiser® MD441
5
This model has a flatter frequency response than the other dynamic mics. This mic is highly regarded as a guitar mic and used widely in studios all over the world.
Dynamic 609
Based on Sennheiser® MD609
5
This is a model of a faithful and popular microphone used daily in many studios and can be found "hanging around" there or on stages everywhere. This dynamic microphone can deliver honest yet punchy sounds.
Condenser 84
Based on Neumann® KM84
5
No microphone collection would be complete without a great small diaphragm condenser mic. This model is based on the standard for small diaphragm mics. As with any good small condenser mic, the 84 provides a clean clear picture of the guitar tone.
Condenser 87
Based on Neumann® U87
This is a model of one of the most popular large diaphragm mics ever. It can be found in any large recording studios mic locker. Because of it’s excellent frequency response curve, the 87 has become the go to mic when needing a clean, flattering sound.
Condenser 170
Based on Neumann® TLM 170
5
This is a model of a high-quality large-diaphragm condenser microphone used in famous studios around the world. One of the first with transformerless technology, this microphone came into the world boasting a very high quality of sound with low noise and a very impressive dynamic range.
Condenser 414
Based on AKG® C414
The Condenser 414 is modeled after another highly regarded large diaphragm condenser microphone. It is a bright, open microphone that will flatter big full tones and will also blend beautifully when combined with another cabinet/mic setup.
Ribbon 121
Based on Royer® R121
5
Use this ribbon microphone to capture a pure, natural sound. This is modeled after one of the must-have studio ribbon microphones of our time.
Velo-8
Based on Groove Tubes® VELO-8
10
This is a double-ribbon figure-8 microphone with a unique Neodymium element. With a silky-smooth high end and good low end body, a great choice for more vintage-sounding guitar tones, this mic mixes very well with other microphones for very full-bodied recordings.
American Tube Clean 1
Based on Fender® SuperReverb®
This amp is modeled after a classic American guitar amp. This amp is great for clean to dirty sounds, making ideal for clean and crunchy rhythm, rock, country, blues, and anything else requiring a clean amp capable of getting a little dirty when the music calls for it.
American Tube Clean 2
Based on Fender® Deluxe Reverb®
This model features yet another classic American amplifier. Unlike the American Tube Clean 1, this model is a smaller combo amp. This amp delivers a clean yet warm tone.
American Tube Vintage
Based on Fender® Bassman®
10
This classic American amplifier was at first designed to be a bass amp, but later became one of the most popular American guitar amps ever made. Great for clean tones, it is also versatile in a variety of music genres and playing styles.
British Tube 30 TB
Based on Vox® AC30™ - Blue Panel
20
This is a model of a legendary british amplifier which is one of the most widely recognizable and popular amps of all time. Throughout its life, its legendary tone helped to put many of rocks founding fathers (including 4 guys from Liverpool) on the map and has been a highly sought after sound that is still heard on many albums today.
British Tube Lead 1
Based on Marshall® JCM800™
Made popular by the hard rockers of the '80s, this British guitar amp has remained a prized tone for many of today’s guitar players. Able to crank out great tube saturated tone and with ease this model is a go to amp for a variety of heavy rock guitar sounds.
British Tube Lead 2
Based on Marshall® JCM900™
10
The younger sibling to the British Tube Lead 1, this model is capable of great rock tone, leads, and heavy crunch. While grittier and a little more aggressive, it still has the classic tone that has made this family of amps a household name in Rock Guitar.
Metal Clean T
Based on Mesa/Boogie® Triple Rectifier™ - Green Channel
15
This extremely high quality amplifier delivers a very detailed and clean response on the clean channel, incredibly well defined is the perfect starting point for any kind of sound. Use this channel to get your hyper-driven sounds from stomps only, as well as for creating clean or edgy sounds. Ideal to be driven by overdrive and distortion pedals, the "Green" channel of this iconic amp has been modeled separately.
Modern Tube Lead
Based on Mesa/Boogie® Dual Rectifier®
10
This amp is a model of one of the leaders in hard, driven rock tones made today. Capable of searing leads and heavy crunch, this amp has been rectified to create a modern rock tone that is hard to beat.
Tube Vintage Combo
Based on Supro® '50s
10
This is a model of a small vintage amplifier that was basic in design but big in tone. This model is simple but sweet.
American Clean MKIII
Based on Mesa/Boogie® MKIII™ Combo - Clean Channel
20
This is a model of the clean channel from a popular and sought after American amplifier. The signature tone can be heard on many albums and many stages around the world. Experience a sparkling clean with the capability for a touch of crunch when cranked up.
American Lead MKIII
Based on Mesa/Boogie® MKIII™ Combo - Lead Channel
20
This is the lead channel of a renowned three-channel American amplifier, known for excelling at both clean and lead sounds. This channel can be BIG and aggressive when you want some California crunch and smooth, tasty sustained lead sounds too.
British Copper 30 TB
Based on Vox® AC30™ - Copper Panel
20
Take yourself back to the '60s with this quintessential amp. Not just any version, but an accurate model of the well-known and loved version of an already spectacular amplifier. If you want some British sound, you can find it here.
Green BA250
Based on Trace Elliot® AH250™ Head
20
With more options than most bass amps, this model gives great flexibility in tone and power. This is a model of a solid state powerhouse bass amplifier with great tone-shaping controls, a warm sound unlike most solid state amps, and a sought-after preamp.
Jazz Amp 120
Based on Roland® JC-120™
20
It may have Jazz in its name, but this versatile clean sound can be heard in many genres. Many of the top metal players keep this not-so-secret weapon in the studio for great clean sounds.
Solid State Bass Preamp
Solid State Bass AmpliTube model
This model features a solid state bass preamp, EQ, and a solid state power amp module. It cleans up beautifully and drives just as hard.
Custom Modern Hi-Gain
Modern Hi-Gain AmpliTube model
5
Based on the classic AmpliTube model, this amp features LOTS of gain for that over the edge distortion sound. Similar to modern tube lead sound in character, Modern Hi-Gain provides an additional take on that type of sound.
Custom Solid State Clean
Solid State Clean AmpliTube model
5
This amp model is clean. It provides a very uncolored signal to the guitar, perfect for jazz. It could be compared to amps like the Jazz Amp 120, so ideal for sparkling clean tones.
Custom Solid State Fuzz
Solid State Fuzz AmpliTube model
5
Based on AmpliTube 1’s fuzz amp, this model is a very distinct and distorted sound, reminiscent of 60’s fuzz sounds.
Custom Solid State Lead
Solid State Lead AmpliTube model
5
This model features a precise solid state lead sound. It has a darker tone and excels at high gain lead tones. It is very suitable for hard rock leads and it’s gain is very stable, making it easy to use at low volume levels.
1x6
Based on Fender® 6
5
1x10
Based on Mesa/Boogie® 1x10
5
4x10 Closed Modern
Based on Marshall® 4x10
5
4x10 Open Vintage
Based on Fender® SuperReverb® 4x10
Rotary 147-1
Based on Leslie® 147 equipped with the original woofer
20
Rotary 147-2
Based on Leslie® 147 equipped with a modern woofer
20
4x10+tw Bass
Based on SWR® Goliath®
5
1x12 Bass
Based on Custom Bass 1x12
5
1x15 Bass Vintage
Based on Ampeg® B15 1x15
1x18 Horn Bass
Based on Acoustic® 360 Horn bass cab
5
1x12 Combo
Based on Marshall® Valvestate® 1x12
5
1x12 MB II
Based on Mesa/Boogie® Mark II™ 1x12
5
1x12 MB III
Based on Mesa/Boogie® Mark III™ 1x12
5
1x12 Open Modern
Based on VHT® Pitbull® 1x12
5
1x12 Open Vintage
Based on Fender® Deluxe® 65 1x12
2x12 Closed Vintage
Based on Marshall® 2x12
2x12 Gry British Vint
Based on Vox® AC30™ 2x12
5
2x12 JP Jazz
Based on Roland® JC-120™ 2x12
5
2x12 Open Vintage
Based on Vox® AC30™ Top Boost equipped with Jensen® Blue Back 2x12
5
4x12 Closed Modern 1
Based on Marshall® 4x12
5
4x12 Closed Modern 2
Based on Mesa/Boogie® Rectifier® 4x12
5
4x12 Closed Vintage 1
Based on Marshall® 4x12
4x12 Closed Vintage 2
Based on Marshall® 4x12
5
4x10+tw TE Bass
Based on Trace Elliot® 4x10
5
360Bass Preamp
Based on Acoustic® 360™ Bass Preamp
20
This amp toured and recorded for years with one of the biggest and bold rock bands ever. Classic rock tones are a natural with this amp, but it is also known for being used by one of the most famous jazz bassists of all time. Show no quarter and make your bass kill with this amp - solid state but loud and proud.
TapDelay
Creative delay effect unit
15
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.

Stomp

Diode Overdrive

Overdrive

OverScream

The Ambass'dor

Compressor

7 Band Graphic

10 Band Graphic

Envelope Filter

LFO Filter

Step Filter

Fuzz Age

Chorus-1

Electric Flanger

Opto Tremolo

Phazer 10

Small Phazer

Harmonator

Pitch Shifter

Step Slicer

TapDelay

Amp

American Tube Clean 1

American Tube Clean 2

American Tube Vintage

British Tube 30 TB

British Tube Lead 1

British Tube Lead 2

Metal Clean T

Modern Tube Lead

Tube Vintage Combo

American Clean MKIII

American Lead MKIII

British Copper 30 TB

Green BA250

Jazz Amp 120

Solid State Bass Preamp

Custom Modern Hi-Gain

Custom Solid State Clean

Custom Solid State Fuzz

Custom Solid State Lead

360Bass Preamp

Cab

4x10 Closed Modern

4x10 Open Vintage

Rotary 147-1

Rotary 147-2

4x10+tw Bass

1x12 Bass

1x15 Bass Vintage

1x18 Horn Bass

1x12 Combo

1x12 MB II

1x12 MB III

1x12 Open Modern

1x12 Open Vintage

2x12 Closed Vintage

2x12 Gry British Vint

2x12 JP Jazz

2x12 Open Vintage

4x12 Closed Modern 1

4x12 Closed Modern 2

4x12 Closed Vintage 1

4x12 Closed Vintage 2

4x10+tw TE Bass

Rack

Digital Delay

Digital Reverb

Tap Delay

Graphic EQ

Tube Compressor

Step Filter

Analog Chorus

Digital Chorus

Digital Flanger

Rotary Speaker

Harmonator

Pitch Shifter

Step Slicer

Stereo Enhancer

Mic

Dynamic 57

Dynamic 20

Dynamic 421

Dynamic 441

Dynamic 609

Condenser 84

Condenser 87

Condenser 170

Condenser 414

Ribbon 121

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