What's inside

AmpliTube MAX includes all the gear available inside AmpliTube 4 Deluxe, Fender® Collection, AmpliTube MESA/Boogie®, AmpliTube Orange®, Ampeg® SVX, AmpliTube Jimi Hendrix™ Anniversary Edition, AmpliTube Slash, AmpliTube Metal plus all of the additional name-brand gear models from the AmpliTube Custom Shop (as of February 2016) featuring the industry’s best manufacturers for a mind-blowing total of over 300 pieces of gear.

You get:

  • 88 Stompbox models including: Acoustic Sim, Chorus, Flanger, Opto Tremolo, Delay, Wah Pedal, Diode Overdrive, Compressor, Graphic EQ and more
  • 80 Amplifiers including: American Tube Clean 1, British Tube Lead 1, Solid State Bass Preamp, Jazz Amp 120 plus 5 all new classic British amps and more
  • 92 Cabinets including: 4x12 Brit 8000, 4x12 Brit 9000, 4x12 Red Pig, 4x12 Brit Silver, 4x10 Open Vintage, 2x12 Closed Vintage, 4x12 Closed Vintage 1 and more
  • 29 Vintage and modern individual speaker models
  • 19 Microphones including: Double Dynamic 57, Dynamic 57, Condenser 414, Condenser 87 and more
  • 24 Rack effects units including: Digital Delay, Parametric EQ, Rotary Speaker and more
  • 2 Tuners: UltraTuner plus a fully chromatic rack tuner

Included Gear

AmpliTube MAX includes 5 new classic amplifier models that represent some of the best British tones from the 70s, 80s and 90s plus an “Acoustic Sim” model pedal, a double mic setup and UltraTuner, the most precise digital tuner available.

at4-amp-Red_Pig

Red Pig - Based on Marshall® Major™ amp head

at4-cab-3d-4x12_Red_Pig

4x12 Red Pig - Based on Marshall® Major
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Silver

Brit Silver - Based on Marshall® Jubilee™ amp head

at4-cab-3d-4x12_Brit_Silver

4x12 Brit Silver - Based on Marshall® 2551A
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_8000

Brit 8000 - Based on Marshall® JCM800™ amp head

at4-cab-3d-4x12_Brit_8000

4x12 Brit 8000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with G12-80 speakers

at4-amp-Brit_9000

Brit 9000 - Based on Marshall® JCM900™ amp head

at4-cab-3d-4x12_Brit_9000

4x12 Brit 9000 - Based on Marshall® 1960 Lead Vintage
4x12 slanted cabinet loaded with T75 speakers

at4-amp-Brit_Valve_Pre

Brit Valve Pre - Based on Marshall® JMP-1™ tube preamp

at4-cab-3d-4x12_Brit_30

4x12 Brit 30 - Based on Marshall® 1960A Lead Vintage
4x12 slanted cabinet loaded with V30 speakers

acoustic_comp

Acoustic Sim - Turns the electric guitar into a hyper-realistic acoustic

at4-amp-Brit_Valve_Pre

Double Dynamic 57 - A special mic setup based on a pair of Shure SM57 microphones

at4-plugin-tuner

UltraTuner The most precise digital tuner available

Other Included Gear

As a standalone software and DAW plug-in, AmpliTube MAX comes with the gear listed above plus all the other gear you see below. If you currently own a previous version of AmpliTube or individual gear models, you can use the Custom Shop feature to restore all of your gear.

Delay
This model is based on a traditional digital delay stomp pedal.
EchoMan
Based on Electro-Harmonix® Memory Man
10
A model of a classic bucked-brigade analog echo/delay (with modulation) stomp pedal effect.
Big Pig
Based on Electro-Harmonix® Big Muff Pi
15
An iconic distortion pedal that has stood the test of time. Capable of tones from smooth sustain & compression to heavy buzz-saw distortion, this pedal is perfect for all different styles of metal.
Crusher
5
This model alters the sound of the input signal by changing the sample-rate, cutoff frequency and by distorting it. This effect can produce very aggressive distorted sounds, more pronunciated than overdrive stompboxes. The Low pass filter is very creative when combined to high distortion levels.
Diode Overdrive
A model of a classic overdrive stomp effect.
Distortion
Based on BOSS® DS-1
15
First produced in 1978, this is one of the most versatile distortion boxes ever made. From subtle crunch to complete mayhem, this pedal has been used by countless guitarists of all styles.
Feedback
Based on BOSS® DF-2
15
This hard-to-find vintage unit includes a built-in oscillator for infinite sustain. Hold notes to create amazing synth-like sounds or boost solos for more cutting tone, combined with classic distortion tones.
Metal Distortion
Based on BOSS® MT-2
15
A favorite of some of the heaviest bands of all time, the BOSS® MT-2 is perfect for extreme gain and sustain. Nothing compares to this pedal for pure distortion mayhem.
Metal Distortion 2
Based on BOSS® HM-2
15
This classic from the 80’s delivers deep, distorted crunch perfect for heavy metal and hard rock. Long-discontinued, this is a rare vintage find that delivers deep, dark crunch from the 70’s, 80s, and beyond.
Overdrive
Based on BOSS® SD-1
15
One of BOSS’s earliest and most collectible pedals, the SD-1 is one of the most aggressive overdrive pedals ever made. From subtle to over-the-top, the SD-1 pushes amps harder without sacrificing clarity and tone.
OverScream
Based on Ibanez® Tube Screamer
10
This is a model of a classic overdrive/distortion pedal which has become the go to overdrive pedal for some of the most influential guitar players of all time. It's basic controls make it easy to dial in the exact sound you want.
PROdrive
Based on ProCo® Rat™
15
One of the most versatile distortion boxes ever. From smooth, light crunch, to extreme shred sustain and over-the-top gain, this pedal has been a classic ever since its release in the early 80s.
The Ambass'dor
Based on Marshall® Guv'Nor
15
This pedal is a model of a beloved 80's-era distortion pedal by a company known for making amps with amazing distortion. This model packs a whole powerful amp into a single stomp box.
Compressor
This effect is a model of a classic high end compressor. It is capable of mild compression or intense signal slamming, and does it all with a tremendous amount of finesse.
Dcomp
Based on MXR® Dynacomp™
10
This effect is modeled after a vintage compression stomp pedal.
7 Band Graphic
This model is a clean, highly effective 1 octave graphic equalizer, capable of fine tuning and dialing in that perfect tone. It is also very useful when you need to “push” the signal for the next stompbox or amp.
10 Band Graphic
5
This is a clean sounding 10-band graphic EQ. Useful for dialing in a range of different tones, or to boost the input to one of AmpliTube Metal’s amps for even more extreme distortion.
Envelope Filter
Advanced filter effect
5
This stomp is an advanced filter effect. It uses the envelope of the incoming signal to control a synthesizer style filter. It is capable of sounds ranging from very simple auto wah effects to extreme never before heard filtering effects.
LFO Filter
Stomp effect uses an LFO to modulate the frequency of its filter
5
This complex stomp effect uses an LFO to modulate the frequency of its filter. With the included BPM sync this is a very useful effect for creating interesting, moving guitar parts with a minimum amount of trouble.
Rezo
Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar
15
A unique effect that can add synth-like drones and sustaining resonances to your parts. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
Step Filter
A powerful and deep beat synced filter effect
15
A powerful and deep beat synced filter effect. Can apply Low / High and Band pass analog modeled filtering on freely customizable patterns to add groove and rhythmic pulsing to your parts. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
Wah
This effect is modeled after the classic wah pedal used by many of the top players from the 60's and 70's. In addition to the wah effect it also features an auto function, allowing it to be used easily without an external controller. This is a new exciting feature.
Wah 10
Based on Ibanez® WH-10
15
This is a faithful rendition of a very sought-after wah pedal. Based on a multiple feedback opamp circuit, the pedal modeled here is a very expressive and unique wah pedal.
Wah 46
Based on Vox® Wah V846
15
The Wah 46 is a model of the most famous wah-wah used by Jimi Hendrix which became his signature sound in masterpiece tunes like “Voodoo Child.” Although the original had no auto-wah features, this additional functionality has been added for a more convenient usage when played on a computer. This is considered to be one of the best sounding wah-wahs of all time.
Wah 47
Based on Vox® Wah V847
15
This is an update of one of the most classic wahs of all time, heard on countless recordings from the 1970’s on.
Class Fuzz
Based on Roger Mayer™ Classic Fuzz®
15
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
Fuzz Age
Based on Arbiter® Fuzz Face®
10
This effect is modeled after a classic germanium transistor fuzz stomp effect. Typically used on lead guitar, this effect has remained a popular distortion effect throughout the years.
Fuzz Age 2
Based on Arbiter® Fuzz Face®
10
This classic germanium transistor fuzz effect was the main fuzz box used by Jimi Hendrix. Often combined with a wah, this effect produced permanent sustain and endless distortion. The original Fuzz Face® is one of the most collectible fuzz boxes ever.
FuzzOne
Based on Maestro® FuzzTone
15
Hendrix began using this fuzz box while playing in New York City before founding the Experience. Its sounds can be heard in the enormously popular Rolling Stones song “Satisfaction.”
Octa-V
Based on Roger Mayer™ Octavia
15
This effect was first used on “Purple Haze” and “Fire.” It is a fuzz box with frequency-doubling circuitry that produces a second note an octave above the fundamental note.
Right Fuzz
Based on Mosrite™ Fuzzrite®
15
A highly sought-after, rare fuzz box, it was one of the first commercially available floor effect units, making its first appearance in 1966. It doesn’t get any more vintage than this when it comes to stomp pedals.
XS Fuzz
Based on Roger Mayer™ Axis Fuzz
15
Jimi Hendrix used many fuzz box units like this vintage model which adds to the powerful sound palette that AmpliTube 3 can offer.
Analog Flanger
Based on BOSS® BF-2
15
One of the most flexible flangers ever made, the BF-2 delivers everything from classic tape flange to over-the-top sweeps, vibratos, chorus and more! Perfect for adding classic metal-style flange to your rig.
Chorus
This chorus is modeled after a classic Digital Chorus stomp box.
Chorus-1
Based on BOSS® CE-1
10
A model of a classic bucked-brigade analog Chorus/Vibrato unit. It provides both analog Chorus and analog Vibrato effects, when in Chorus mode the modulation will be lush and slow, when in Vibrato effect the modulation will be faster and more noticeable.
Electric Flanger
Based on Electro-Harmonix® Electric Mistress
15
This stomp box is a model of a vintage flanger/filter matrix used by many well-known guitarists to achieve classic sounds. While it has amazing warmth, it is also capable of very versatile chorus and ring modulation type sounds.
Flanger
Classic Flanger Effect
This stomp box is a model of a classic Flanger effect.
Metal Flanger
Based on MXR® Flanger 117
15
A classic association with an iconic 80’s guitarist made prices erupt and flooded the market with reissues. Still, no flanger is more recognizable, making this perfect for hard-rock and metal tone.
Opto Tremolo
Based on Fender® Opto-Tremolo
This model is based on a vintage Opto-Tremolo effect.
Phaze Nine
Based on MXR® Phase 90
15
This effect is one of the most popular phase pedal of all times. Used by a wide range of first-class guitarists, this unit could add a little bit of shimmer to your solos or generate a smooth, watery effect while playing chords and muted strumming. Try the Phaze Nine on bass, keyboards or vocals.
Phazer 10
Based on MXR® Phaser 100
10
A model of a classic analog multimode Phaser stomp box.
Small Phazer
Based on Electro-Harmonix® Small Stone
15
This effect is a model of a classic analog phase shifter, capable of a range of phaser effects from gentle to outlandish swirling effects. You may wonder why it is called "small" when you hear it.
Uni-V
Based on Univox™ Uni-Vibe™
15
This was a chorus/rotating-speaker simulator that was introduced in 1969 and used predominantly in live performances. This created a swirling effect quite similar to the Leslie® speaker cabinet but with the addition of speed control. This effect was employed on tracks such as “Hey Baby (The Land of the New Rising Sun),” “Earth Blues,” and “Machine Gun.” A vintage Uni-Vibe™ is in such high demand it sells for over a thousand dollars, if you can even find one.
Harmonator
3 Voice Digital Harmonizer Effect
5
This effect is a 3 voice digital harmonizer effect. More than just a pitch shifter, this pedal will create 3 separate harmony voices with independent interval values based on a musical scale. Simply select the scale to use, select the voice and the desired pitch and play. The harmonized notes will be according to the selected scale.
Octav
Based on BOSS® OC-2
10
This stomp effect is modeled after a classic dual voice octave pedal. It will produce two additional sounds, one and two octaves below the direct signal.
Pitch Shifter
This effect shifts the pitch of the incoming signal
10
This effect shifts the pitch of the incoming signal. This new pitch shifted signal is blended with the original sound to create harmony guitar leads or other types of dual pitch effects.
Wharmonator
Based on DigiTech Whammy™
15
One of the most extreme effects of all time, the original Whammy is a costly vintage find these days. From classic shred to the most aggressive modern metal, this is an essential part of any extreme guitar rig.
Volume
This model is a traditional volume pedal.
Step Slicer
Beat synced slicing effect
15
Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
Swell
15
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention. Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
Digital Delay
This advanced delay modeled effect can add a variety of depth to the sound, by providing five different delay modes. The delay can also be synced to the host tempo providing even more flexibility.
Digital Reverb
5
This digital reverb is capable of adding small amount of space to a signal or creating a huge hall around the instrument.
Tap Delay
15
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.
Graphic EQ
5
Based on a traditional analog 31 bands Graphic EQ, each band has +/- 15 dB boost, plus RESET button (total reset of all bands at 0 dB) and Level slider (+/- 15dB). Perfect for overall tone shaping.
Parametric EQ
With its three totally independent EQs, this parametric EQ provides enough power to sculpt the perfect guitar tone or surgically enhance and alter any signal sent through it.
Tube Compressor
5
This compressor was modeled after a classic tube compressor. It is a very versatile, smooth compressor, and can add great color to the signal.
Rezo
15
A unique effect that can add synth-like drones and sustaining resonances to your parts. Make your guitar sound like a sitar or like a synth-drone to create sonic textures nobody will think has been done with a guitar. Set up the scale you want the resonances to sing on and control the notes with your controller to create arpeggios and steps while playing.
Step Filter
15
A powerful and deep beat synced filter effect. Can apply Low / High and Band pass analog modeled filtering on freely customizable patterns to add groove and rhythmic pulsing to your parts. This will make your guitars and bass parts to sound like a rhythmic synth, if you want it!
Analog Chorus
5
This classic analog stereo chorus model adds depth and space to the input signal. It can also be used as a vibrato effect.
Digital Chorus
5
This modeled digital chorus effect creates a clear articulate chorus effect. Like the analog chorus, this effect adds depth and space to the input signal, but adds a different color to the overall signal.
Digital Flanger
5
This model of a digital flanger can create a metallic modulated sound.
Rotary Speaker
5
This effect is a model of a rotary speaker cabinet. Rotary speaker cabinets create a lush vibrato/chorus effect and add a tremendous amount of depth to the sound.
Harmonator
5
The Harmonator is an advanced harmonizing effect with three separate voices, each with independent harmony, level and pan. By entering the key and scale that the instrument is playing, the harmonator analyzes the input signal and track the three independent voices to the correct music key and scale.
Pitch Shifter
5
This pitch shifting effect creates an independent harmony voice that can be blended with the original signal to create harmony lead parts and duet type guitar lines.
Step Slicer
15
Add programmed rhythmic parts to your power chords and phrases with this powerful and creative beat synced slicing effect. Can be setup to create anything from the most amazing tremolos to the most complex rhythm effects that always stay in perfect sync with the beat.
Stereo Enhancer
5
The stereo enhancer model widens and narrows the stereo image.
Swell
15
This is an "auto volume" swell processor that can automatically create fantastic swell effects while playing without any manual intervention. Use it subtly to add groove to your rhythm parts or use it with deeper settings to create dreaming pads or string-like sounds.
Dynamic 57
Based on Shure® SM57™
This model has a flatter frequency response than the other dynamic mics. This mic is highly regarded as a guitar mic and used widely in studios all over the world.
Dynamic 20
Based on Electro-Voice® RE20™
5
This mic model recreates a smooth reaction across a wide spectrum of frequencies, especially attractive in the low area. This means that the Dynamic 20 is a great selection for acoustic and electric bass.
Vintage Dynamic 20
Based on AKG® D20™
5
A vintage dynamic large diaphragm microphone that used to be the standard mic for bass amps and kick drums during the 60’s. It’s warm and present, and has a smooth roll-off at high frequencies.
Dynamic 421
Based on Sennheiser® MD421
5
Probably the second most popular dynamic mic to use on guitar amps, this model provides a equally pleasing sound, but is a warmer than the 57.
Dynamic 441
Based on Sennheiser® MD441
5
This model has a flatter frequency response than the other dynamic mics. This mic is highly regarded as a guitar mic and used widely in studios all over the world.
Dynamic 609
Based on Sennheiser® MD609
5
This is a model of a faithful and popular microphone used daily in many studios and can be found "hanging around" there or on stages everywhere. This dynamic microphone can deliver honest yet punchy sounds.
Condenser 12
Based on AKG® C12
5
This mic model is based on the AKG® C12, one of the first legendary tube microphones in the history of recording.
Condenser 67
Based on Neumann® U67
5
This mic model is based on a Neumann® U67, one of the most famous multipurpose studio microphones.
Condenser 84
Based on Neumann® KM84
5
No microphone collection would be complete without a great small diaphragm condenser mic. This model is based on the standard for small diaphragm mics. As with any good small condenser mic, the 84 provides a clean clear picture of the guitar tone.
Condenser 87
Based on Neumann® U87
This is a model of one of the most popular large diaphragm mics ever. It can be found in any large recording studios mic locker. Because of it’s excellent frequency response curve, the 87 has become the go to mic when needing a clean, flattering sound.
Condenser 170
Based on Neumann® TLM 170
5
This is a model of a high-quality large-diaphragm condenser microphone used in famous studios around the world. One of the first with transformerless technology, this microphone came into the world boasting a very high quality of sound with low noise and a very impressive dynamic range.
Condenser 414
Based on AKG® C414
The Condenser 414 is modeled after another highly regarded large diaphragm condenser microphone. It is a bright, open microphone that will flatter big full tones and will also blend beautifully when combined with another cabinet/mic setup.
Ribbon 121
Based on Royer® R121
5
Use this ribbon microphone to capture a pure, natural sound. This is modeled after one of the must-have studio ribbon microphones of our time.
Ribbon 160
Based on Beyerdynamic® M160
5
This mic is modeled after the Beyerdynamic® M160 (double ribbon-hypercardioid microphone), one of the top choices for capturing the sound of a broad diversity of sources.
Velo-8
Based on Groove Tubes® VELO-8
10
This is a double-ribbon figure-8 microphone with a unique Neodymium element. With a silky-smooth high end and good low end body, a great choice for more vintage-sounding guitar tones, this mic mixes very well with other microphones for very full-bodied recordings.
American Tube Clean 1
Based on Fender® SuperReverb®
This amp is modeled after a classic American guitar amp. This amp is great for clean to dirty sounds, making ideal for clean and crunchy rhythm, rock, country, blues, and anything else requiring a clean amp capable of getting a little dirty when the music calls for it.
American Tube Clean 2
Based on Fender® Deluxe Reverb®
This model features yet another classic American amplifier. Unlike the American Tube Clean 1, this model is a smaller combo amp. This amp delivers a clean yet warm tone.
American Tube Vintage
Based on Fender® Bassman®
10
This classic American amplifier was at first designed to be a bass amp, but later became one of the most popular American guitar amps ever made. Great for clean tones, it is also versatile in a variety of music genres and playing styles.
American Vintage B
Based on Fender® Bassman® Silverface
15
The design of this amp influenced many of its successors and was used by Jimi Hendrix in the studio recording of “Voodoo Child.”
American Vintage D
Based on Fender® Dual-Showman®
15
Hendrix acquired this 100 watt amp in 1968 and used it in ‘68 and ‘69 with the Experience tour together with an assortment of other amps. The amp sported a built-in spring reverb unit and originally came with 2x15” J.B. Lansing® speakers.
American Vintage T
Based on Fender® Twin Reverb® Silverface
15
This was Jimi Hendrix’s amp of choice during ’65 through ’66. It included a spring reverb and was equipped with 2x12” J.B. Lansing® speakers.
BA-500
Officially Certified Ampeg® BA500® Model
25
The BA-500 is a high quality solid-state bass amp, with a sonic fingerprint that will deliver a big and detailed sound in any musical situation. Thanks to its powerful preamp sound shaping controls, this amp model will be great on all musical genres and styles. Its natural cabinet match is the BA-500 cabinet, but you can get interesting sounds experimenting with all the included cabs options.
British Lead S100
Based on Marshall® 1959 JTM100™ Super Lead
20
This is modeled on the Classic British 100 watt amp Jimi Hendrix is generally associated with. Jimi Hendrix often used multiple amp heads (up to 6) looping them together to get more power, a setup that can be recreated in AmpliTube 3 because of its dual rig capability.
British Tube 30 TB
Based on Vox® AC30™ - Blue Panel
20
This is a model of a legendary british amplifier which is one of the most widely recognizable and popular amps of all time. Throughout its life, its legendary tone helped to put many of rocks founding fathers (including 4 guys from Liverpool) on the map and has been a highly sought after sound that is still heard on many albums today.
British Tube Lead 1
Based on Marshall® JCM800™
Made popular by the hard rockers of the '80s, this British guitar amp has remained a prized tone for many of today’s guitar players. Able to crank out great tube saturated tone and with ease this model is a go to amp for a variety of heavy rock guitar sounds.
British Tube Lead 2
Based on Marshall® JCM900™
10
The younger sibling to the British Tube Lead 1, this model is capable of great rock tone, leads, and heavy crunch. While grittier and a little more aggressive, it still has the classic tone that has made this family of amps a household name in Rock Guitar.
Metal Clean T
Based on Mesa/Boogie® Triple Rectifier™ - Green Channel
15
This extremely high quality amplifier delivers a very detailed and clean response on the clean channel, incredibly well defined is the perfect starting point for any kind of sound. Use this channel to get your hyper-driven sounds from stomps only, as well as for creating clean or edgy sounds. Ideal to be driven by overdrive and distortion pedals, the "Green" channel of this iconic amp has been modeled separately.
Metal Lead T
Based on Mesa/Boogie® Triple Rectifier™ - Red Channel
15
This classic amp delivers the tightest bass and fastest response, even at extreme speeds and gain. The result is perfect for speed, thrash, and other aggressive metal styles as well as smoother, cleaner styles.
Metal Lead V
Based on Peavey® 5150™ Head
15
Engineered to the exacting demands of one of the greatest guitarists of all time, this amp quickly became a favorite of tone purists and gain heads alike. Capable of some of the cleanest – or the heaviest – tones of all time.
Metal Lead W
Based on Randall® Warhead 300™
15
Designed by one of the hardest rockers of the 90’s, this amp was built for pure metal mayhem. There may be no heavier, more aggressive amp in the world.
Modern Tube Lead
Based on Mesa/Boogie® Dual Rectifier®
10
This amp is a model of one of the leaders in hard, driven rock tones made today. Capable of searing leads and heavy crunch, this amp has been rectified to create a modern rock tone that is hard to beat.
THD Bi-Valve
Officially Certified THD® BiValve™ Model
15
This is a model of the THD® BiValve. This modern boutique amplifier has become very popular on the stage and in the studio. Using a single ended class A design it is capable of wide expanse of tone. From the clean to the crunchy to the heavily saturated, the THD BiValve can create all these tones with ease.
Tube Vintage Combo
Based on Supro® '50s
10
This is a model of a small vintage amplifier that was basic in design but big in tone. This model is simple but sweet.
Vintage Metal Lead
Based on Marshall® JMP100™ Head
15
An all-time classic, from it’s origin in the 70s, through Aussie hard rock, crazy 80’s metal and beyond. Few amps have rocked as hard, for as long.
American Clean MKIII
Based on Mesa/Boogie® MKIII™ Combo - Clean Channel
20
This is a model of the clean channel from a popular and sought after American amplifier. The signature tone can be heard on many albums and many stages around the world. Experience a sparkling clean with the capability for a touch of crunch when cranked up.
American Lead MKIII
Based on Mesa/Boogie® MKIII™ Combo - Lead Channel
20
This is the lead channel of a renowned three-channel American amplifier, known for excelling at both clean and lead sounds. This channel can be BIG and aggressive when you want some California crunch and smooth, tasty sustained lead sounds too.
British Copper 30 TB
Based on Vox® AC30™ - Copper Panel
20
Take yourself back to the '60s with this quintessential amp. Not just any version, but an accurate model of the well-known and loved version of an already spectacular amplifier. If you want some British sound, you can find it here.
OR-120
Officially Certified Orange® OR120™ Head Model
25
An exciting new addition to the line, this model can really turn heads. You’ll hear the vintage hand-wired and very original sound of this killer British powerhouse from the first note.
MB 150 S
Officially Certified Gallien-Krueger® MB150™ Model
25
This is a rendition of THE bass combo for double bass. The tone doesn't stop there, though. Electric bassists have used this tiny but mighty (and toneful) combo amp with great success. Great things can come in small sizes, and can sound suprisingly big and full.
Green BA250
Based on Trace Elliot® AH250™ Head
20
With more options than most bass amps, this model gives great flexibility in tone and power. This is a model of a solid state powerhouse bass amplifier with great tone-shaping controls, a warm sound unlike most solid state amps, and a sought-after preamp.
Jazz Amp 120
Based on Roland® JC-120™
20
It may have Jazz in its name, but this versatile clean sound can be heard in many genres. Many of the top metal players keep this not-so-secret weapon in the studio for great clean sounds.
Solid State Bass Preamp
Solid State Bass AmpliTube model
This model features a solid state bass preamp, EQ, and a solid state power amp module. It cleans up beautifully and drives just as hard.
Custom Modern Hi-Gain
Modern Hi-Gain AmpliTube model
5
Based on the classic AmpliTube model, this amp features LOTS of gain for that over the edge distortion sound. Similar to modern tube lead sound in character, Modern Hi-Gain provides an additional take on that type of sound.
Custom Solid State Clean
Solid State Clean AmpliTube model
5
This amp model is clean. It provides a very uncolored signal to the guitar, perfect for jazz. It could be compared to amps like the Jazz Amp 120, so ideal for sparkling clean tones.
Custom Solid State Fuzz
Solid State Fuzz AmpliTube model
5
Based on AmpliTube 1’s fuzz amp, this model is a very distinct and distorted sound, reminiscent of 60’s fuzz sounds.
Custom Solid State Lead
Solid State Lead AmpliTube model
5
This model features a precise solid state lead sound. It has a darker tone and excels at high gain lead tones. It is very suitable for hard rock leads and it’s gain is very stable, making it easy to use at low volume levels.
1x6
Based on Fender® 6
5
1x10
Based on Mesa/Boogie® 1x10
5
4x10 Closed Modern
Based on Marshall® 4x10
5
4x10 Open Vintage
Based on Fender® SuperReverb® 4x10
2x15 Closed B J130
Based on Fender® Bassman® 2x15”
5
2x15 Closed D J130
Based on Fender® Dual Showman® 2x15” equipped with J.B.Lansing® D130F
5
Rotary 147-1
Based on Leslie® 147 equipped with the original woofer
20
Rotary 147-2
Based on Leslie® 147 equipped with a modern woofer
20
4x10+tw Bass
Based on SWR® Goliath®
5
1x12 Bass
Based on Custom Bass 1x12
5
1x12 MB 150 S
Officially Certified Gallien-Krueger® 1x12
10
1x15 Bass Vintage
Based on Ampeg® B15 1x15
1x18 Horn Bass
Based on Acoustic® 360 Horn bass cab
5
1x12 Combo
Based on Marshall® Valvestate® 1x12
5
1x12 MB II
Based on Mesa/Boogie® Mark II™ 1x12
5
1x12 MB III
Based on Mesa/Boogie® Mark III™ 1x12
5
1x12 Open Modern
Based on VHT® Pitbull® 1x12
5
1x12 Open Vintage
Based on Fender® Deluxe® 65 1x12
2x12 Closed Vintage
Based on Marshall® 2x12
2x12 Gry British Vint
Based on Vox® AC30™ 2x12
5
2x12 JP Jazz
Based on Roland® JC-120™ 2x12
5
2x12 Open SL
Based on Silvertone® 2x12”
5
2x12 Open T J120
Based on Fender® Twin 2x12” equipped with J.B. Lansing® D120F
5
2x12 Open Vintage
Based on Vox® AC30™ Top Boost equipped with Jensen® Blue Back 2x12
5
PPC 412
Officially Certified Orange® PPC412 4x12" Cabinet Model
10
4x12 Closed 25 C
Based on Marshall® 4x12” equipped with 25W Celestion™
5
4x12 Closed 75 C
Based on Marshall® 4x12” equipped with 75W Celestion™
5
4x12 Closed J120
Based on Marshall® 4x12” equipped with J.B.Lansing® D120F
5
4x12 Closed Modern 1
Based on Marshall® 4x12
5
4x12 Closed Modern 2
Based on Mesa/Boogie® Rectifier® 4x12
5
4x12 Closed Vintage 1
Based on Marshall® 4x12
4x12 Closed Vintage 2
Based on Marshall® 4x12
5
4x12 Metal F 1
Based on Fender® 4x12
5
4x12 Metal F 2
Based on Fender® 4x12
5
4x12 Metal T 1
Based on Mesa/Boogie® 4x12
5
4x12 Metal T 2
Based on Mesa/Boogie® 4x12
5
4x12 Metal T 3
Based on Mesa/Boogie® 4x12
5
4x12 Metal V 1
Based on Peavey® 5150™ 4x12
5
4x12 Metal V 2
Based on Peavey® 5150™ 4x12
5
4x12 Metal V 3
Based on Peavey® 5150™ 4x12
5
4x12 Modern M 1
Based on Marshall® JCM800™ 4x12
5
4x12 Modern M 2
Based on Marshall® JCM800™ 4x12
5
4x12 Modern M 3
Based on Marshall® JCM800™ 4x12
5
4x12 Vintage M 1
Based on Marshall® 4x12
5
4x12 Vintage M 2
Based on Marshall® 4x12
5
4x10+tw TE Bass
Based on Trace Elliot® 4x10
5
360Bass Preamp
Based on Acoustic® 360™ Bass Preamp
20
This amp toured and recorded for years with one of the biggest and bold rock bands ever. Classic rock tones are a natural with this amp, but it is also known for being used by one of the most famous jazz bassists of all time. Show no quarter and make your bass kill with this amp - solid state but loud and proud.
MD1b-FET
Based on Groove Tubes® MD1b-FET
10
The Groove Tubes® MD1b-FET is a modern-sounding large diaphragm condenser microphone. With a subtle boost in the highs and a smooth low end, this is an excellent choice for capturing brighter, more modern guitar tones.
SCP-OD Overdrive
Officially Certified Ampeg® SCP-OD Overdrive® Model
25
This virtual stomp effect emulates the Ampeg SCP-OD Overdrive pedal. It recreates the original distortion circuit, adding upper octave harmonic content to the direct signal and creating as a result a unique overdrive effect.
SCP-OCT Octaver
Officially Certified Ampeg® SCP-OCT Octaver® Model
25
This stomp effect is modeled after the Ampeg SPC-OCT Octaver pedal. Moving the octave knob will double your direct signal one octave below the direct signal. In this way you can make your melodic lines richer and fuller, expanding the frequency range.
Analog Chorus
Analog Chorus effect
25
A model of a classic analog Chorus/Vibrato unit provides both analog Chorus and analog Vibrato effects. When in Chorus mode the modulation will be lush and slow. When in Vibrato effect the modulation will be faster and more noticeable.
Analog Delay
Analog Delay effect
15
This model is based on a classic analog delay with modulation stomp pedal.
Bass Wah
Bass Wah effect
15
This effect is modeled after the classic Wah pedal used by many of the top players from the 60’s and 70’s. The "auto" option will produce the Wah effect automatically, meaning that there is no need for the manual intervention on the pedal position.
Compressor
Compressor effect
25
This effect is modeled after a vintage compression stomp pedal and can deliver a strong sustain and powerful compression with lots of character.
Envelope Filter
Envelope Filter effect
25
This stomp is a highly developed filter effect. Essentially, it uses the envelope of the incoming signal to control a synthesizer style filter. The sound palette’s range of this virtual unit is wide and rich. You can enhance your bass tone adding from simple auto Wah effects to extreme filtering effects.
Volume
Volume Pedal
10
This model is a traditional volume pedal.
Fender® Blender™
Officially Certified Fender® Blender™ Model
25
A unique germanium fuzz/distortion pedal. With a tone unlike any distortion pedal on the market, the Blender™ is capable of a harsh fuzz effect, great as a tool for Psychedelic and Alternative Rock. Perfect for those who want to create instead of copying, with a bit of experimentation, this pedal can deliver a huge range of unique tones.
Volume
Volume Pedal
10
A classic volume control. Use to control the volume of your guitar signal, or in conjunction with an overdrive/distortion pedal for dynamic control of your signal boost.
Fender® Fuzz Wah
Officially Certified Fender® Fuzz Wah Model
15
A combination of a Fuzz-style distortion effect and a Wah pedal, this is two pedals in one. Due to this combination, and its Fuzz>Wah / Wah>Fuzz selector switch, the Fender Fuzz Wah is capable of effects not easily achieved by traditional units.
Fender® Phaser
Officially Certified Fender® Phaser Model
25
A Classic analog Phase shift effect as heard on countless recordings since the 1970s. The rate control knob alternately illuminates blue and red at the same rate as the phase shifting.
Fender® Tremolo
Based on the classic Fender® tube tremolo circuit
25
Now add that famous Fender® Amp Tremolo sound to any Fender® amp, or any other "Powered by AmpliTube" amp model using X-GEAR. Based on the classic Fender® tube tremolo circuit, you can adjust the speed and intensity to perfection, and add this classic effect to any amplifier setting. BPM sync function allows for automated effect syncing to your DAW tempo, or set your tempo manually to add that dramatic tremolo sparkle or darkness to your tracks.
Fender® Wah
Based on Fender® Cyber-Twin® SE Wah
25
Two distinct wah voices give this model a huge range of "wah-ptions." Switch between the traditional "Cryin'" sound, or the famous "Clyde McCoy" inspired sound, both from the same pedal. Adjust your effect frequency range with the minimum and maximum knobs, and control the amount of effect applied with the "wah" control and volume level knobs. A very inspiring pedal that will also add dramatic effects to your bass lines.
Fender® '63 Reverb
Officially Certified Fender® '63 Reverb Model
25
First introduced in the early 1960s, this classic all-tube spring reverb unit is a must have accessory for all Surf players. Blues and experimental players love it, too. It’s presented here in stomp-box form instead of its original head-style unit. The Fender Reverb is capable of producing an incredibly lush or intense crashing Reverb effect due to its post-guitar, pre-amplifier signal path and unique tube driven output.
Fender® Tape Echo
Based on Fender® Cyber-Twin® SE Tape Echo
25
A classic tape echo simulation, as seen in the Fender® Cyber-Twin®. The warmth and wobble of magnetic tape lent a wonderful ambience to the echo effects used on recordings of the last 50 years, and those sounds can be recreated easily with AmpliTube® Fender®. The Tape Echo’s controls can also be manipulated for experimental lo-fi echo effects, bringing extra creativity to your playing.
Fender® Compressor
Based on Fender® Cyber-Twin® SE compressor
25
Now get the Fender® Cyber-Twin® SE inspired compressor in a stomp box. Increase your signal gain before it hits other effects and amplifier, or use it elsewhere in your pedalboard chain to create dramatic "attack" effects. The Fender® Stomp Compressor has four detented potentiometer positions for varying degrees of gain boost and compression.
B-15R
Officially Certified Ampeg® B-15R® Portaflex “Flip Top” Model
25
This is the 1960’s classic bass amplifier, enhanced and improved for the actual musical scenario. This all-tube model limited production features the Ampeg “classic” tube preamp combined with a selectable tube 60W/100W power amplifier. This option gives you the most sought-after vintage bass sound ever. In addition, if you want to get that unmistakable 60s tone; match it with the B-15R cabinet.
SVT-CLASSIC
Officially Certified Ampeg® SVT-CLASSIC® Model
25
This is the authentic and classic Ampeg tube sound. This all-tube bass head delivers a warm, harmonically rich and punchy sound that is a trademark for the rock bass sound, both live and in the studio. The SVT-Classic is the amp that created the rock bass sound. Its natural speaker match is the SVT-810E or the SVT-410H.
SVT-4PRO
Officially Certified Ampeg® SVT-4PRO® Model
25
This is a real all-round high end bass amplifier. It combines a fully featured tube preamp that can really cover any sound need with a tight solid state power amplifier. The SVT-4PRO sound spectrum is wide and rich. You can get from extremely neutral and transparent sounds to powerful unique tones. Experiment with the SVT-4PRO settings and create your own custom sounds.
'57 Deluxe
Officially Certified '57 Deluxe™ Model
25
One of the first amplifiers designed by Leo Fender, and one of the most influential. The Tweed Deluxe provides classic compressed overdriven tones when cranked, and rich harmonic clean tones when played at low volumes. The Deluxe is a great amplifier for Chicago-style Blues tones, as well as Country and early Rock and Roll tones. Today, modern players of all stripes use a Deluxe in the studio to create their own “tone magic.”
Pro Junior
Officially Certified Pro Junior™ Model
25
The Pro Junior, with its single volume and tone controls, is a unique marriage of classic Fender® tone at low volumes and angry bite when cranked. This amp is excellent at achieving touch-sensitive overdriven studio tones, and players everywhere have discovered the simple joys of plugging in and turning up the volume for simple, pure Blues and Rock performance.
'64 Vibroverb Custom
Officially Certified '64 Vibroverb™ Custom Model
25
A hand-wired reissue specifically based on Stevie Ray Vaughan’s original Vibroverb, as modifed by “Amp Doctor” Cesar Diaz. Its Blackface circuit and 15” speaker create a shimmering clean tone that is perfect for Jazz or Country. With the available “Mod” mode, the Vibroverb Custom can create the famous Texas Blues tone with its touch of preamp tube distortion and punchy mid focus.
'65 Deluxe Reverb
Officially Certified '65 Deluxe Reverb® Model
25
A true classic that delivers classic Country and Rock tones, from Nashville to Liverpool. The Deluxe Reverb has a bright, punchy attack that is perfect for finger-picking, Garage-Rock... just about anything. The Deluxe Reverb is an amp that has been used on countless recordings due to its pure tube tone, great Reverb and Tremolo, and amazing versatility.
'59 Bassman LTD
Officially Certified '59 Bassman® LTD Model
25
Quite possibly the most famous guitar amp of all time, the tweed Bassman® is considered a must-have for any serious tone connoisseur. Originally conceived in the 1950s to amplify the newly invented Fender® Precision® Bass guitar, it was quickly adopted by quitarists who found that it was able to provide shimmering clean tones and a cranked up “crunch” tone that lent itself perfectly to Rock and Roll. That tone became the basis for the famous British “stacks” of the 60s and beyond. Played clean or distorted, from Rock to Blues to Country, with or without external effects, the ’59 Bassman® is the foundation for a wide variety of great tones.
'65 Twin Reverb
Officially Certified '65 Twin Reverb® Model
25
One of the most distinctive amps of all time. It delivers a shimmering, pure clean tone that is perfect for any style of music, yet it will bark when turned up to arena volume. The Twin Reverb is known as the first popular “built-in effects” amp, with world-standard Fender Reverb and Tremolo. This is also a great amplifier for accentuating the character of external stomp boxes, making it an incredibly versatile platform to build on.
Bassman 300 PRO
Officially Certified Bassman® 300 PRO Model
25
The Bassman 300 PRO produces warm all-tube bass tone and combines it with modern flexibility. Features like 10-band graphic EQ, mid-notch switch (great for slap playing), two-band studio-grade compressor, and clean and overdrive channels make the Bassman 300 a great choice for any bass player.
Champion 600
Officially Certified Champion™ 600 Model
25
The Champion™ 600 is an updated version of the classic Fender® practice amp, providing slightly more gain than the original model. With only a volume control, a clean, simple circuit with just one power tube and low wattage, its distinctive reedy tone has been used on countless Classic Rock recordings.
MH-500 Metalhead
Officially Certified MH-500 Metalhead™ Model
25
Designed from the ground up to provide the perfect amp for modern down-tuned and 7-string guitarists, with a searing gain and a punishing low end that is perfect for more agressive styles of Rock and Metal. Its solid-state power amp gives enough headroom for incredible note definition even when distorted, and the preamp has an unmatched amount of gain for lead players.
Super-Sonic
Officially Certified Super-Sonic™ Model
25
A marriage of classic Fender® tone and modern versatility, perfect for everything from vintage clean tones to 70’s-style Classic Rock crunch to modern Metal and Punk. Its independent cascading gain stages and custom EQ allow guitarists to create a huge variety of both vintage and modern harder-edged distorted tones, all while retaining that unmistakable Fender® character.
TBP-1 Bass Preamp
Officially Certified TBP-1 Bass Preamp Model
25
The TBP-1 is a truly professional tube bass preamp designed around Fender’s passive tone stack (used in classic designs such as the Twin Reverb® and Showman®) which delivers creamy tube tone while allowing the color of the instrument to shine through. A tube overdrive section adds “bite”, while the Vari-Q™ circuit provides modern active tone shaping. Thick, natural and balanced; the TBP-1 is an amazing device for creating great bass tone.
Vibro-King Custom
Officially Certified Vibro-King® Custom Model
25
This modern Fender® classic provides incredible clean tones, unequalled touch sensitivity, and a thick overdrive character that will inspire artistic inspiration for any player. Engaging the FAT switch helps boost it into classic Rock distortion. The Vibro King® also contains Fender®’s unique ’63 Reverb circuit, which means this amplifier is a perfect choice for Country, Blues, and Surf players, as well.
'57 Deluxe 1x12
Officially Certified Fender® '57 Deluxe™ 1x12
10
'59 Bassman 4x10
Officially Certified Fender® '59 Bassman® 4x10
10
'64 Vibroverb 1x15
Officially Certified Fender® '64 Vibroverb™ 1x15
10
'65 Deluxe Reverb 1x12
Officially Certified Fender® '65 Deluxe Reverb® 1x12
10
'65 Twin Reverb 2x12
Officially Certified Fender® '65 Twin Reverb® 2x12
10
Pro Junior 1x10” Open Back
Officially Certified Fender® Pro Junior™ 1x10” Open Back Cab Model
10
Super-Sonic 1x12” Open Back
Officially Certified Fender® Super-Sonic™ 1x12” Open Back Cab Model
10
Vibro-King 3x10” Open Back
Officially Certified Fender® Vibro-King® 3x10” Open Back Cab Model
10
810 PRO 8x10” Front Ported
Officially Certified Fender® 810 PRO 8x10” Front Ported Cab Model
10
Vibratone 1x10” Rotary Speaker
Officially Certified Fender® Vibratone 1x10” Rotary Speaker Cab Model
25
Made to simulate the “Doppler effect” of the Leslie Model 16 and 18 rotary speaker units popular with organists, the Fender® Vibratone was designed to be used with a regular guitar amplifier. When the Vibratone is turned on, a special crossover filter sends the high and low frequencies to the main amplifer's speaker, while the midrange frequencies are sent to the Vibratone speaker which faces a motorized rotating drum. A two-speed control can be selected for slow, spatial chorused effects or fast, watery, modulated tones. This exact configuration is reproduced in AmpliTube Fender™. To accurately emulate the Fender® Vibratone we have been challenged to developed a new unique technology we dubbed VRM™ (Volumetric Response Modeling) that for the first time is able to physically emulate the real sound of a rotary speaker as it has never done before in software.
B-15R
Officially Certified Ampeg® B-15R® Portaflex “Flip Top” Cab Model
10
BA-500
Officially Certified Ampeg® BA500® Cab Model
10
BXT-410H
Officially Certified Ampeg® BXT 410H® Cab Model
10
MH-412SL 4x12” Closed Back
Officially Certified Fender® MH-412SL 4x12” Closed Back Cab Model
10
PB-212H
Officially Certified Ampeg® PB-212H® Cab Model
10
SVT-410H
Officially Certified Ampeg® SVT-410H® Cab Model
10
SVT-810E
Officially Certified Ampeg® SV-T810E® Cab Model
10
Champion 600 1x6” Open Back
Officially Certified Fender® Champion™ 600 1x6” Open Back Cab Model
10
Compressor
Based on Fender® Cyber-Twin® SE Compressor
15
A classic compressor effect. Use to even out volume levels when playing for a studio-like tone, to accentuate finger-picking styles or to add sustain to chords or single notes, with or without distortion.
Pitch Shift
Based on Fender® Cyber-Twin® SE Pitch Shift
15
A pitch-shifting effect with both pitch-shifting and detuning effects. Use for both wild soloing and unusual detuned textures.
Fender® '63 Reverb
Officially Certified Fender® '63 Reverb Model
15
The classic '63 Fender® Reverb Tank is now available in convenient rack form! Although a mono effect, your stereo rig signal path integrity is held through this enormous sounding, compelling unit. Add lush rich depth at the end of the signal chain as a "post effect" effect. Revered as THE sound of reverb, you'll hear this all tube driven signature Fender spring reverb on thousands of records from Surf to Soul, Country to Punk. Control how hard the signal hits the reverb tank with the "dwell" control, and the "dryness" or "wetness" amount of the effect output with the Mixer control, plus adjust the flavor of the output tone with a 12AX7 based "tone" knob.
Sine Flange
Based on Fender® Cyber-Twin® SE Sine Flange
15
A classic flange effect for swirling, psychedelic jams or intense metal rhythmic playing.
Tape Echo
Based on Fender® Cyber-Twin® SE Tape Echo
15
The warmth and wobble of magnetic tape lent a wonderful ambience to the echo effects used on recordings of the last 50 years, and those sounds can be recreated easily with Amplitube® Fender®. The Tape Echo’s controls can also be manipulated for experimental lo-fi echo effects, bringing extra creativity to your playing.
Triangle Chorus
Based on Fender® Cyber-Twin® SE Triangle Chorus*
15
A chorus/doubling effect for thickening up your guitar’s tone. The Triangle waveform is especially effective with overdriven tones.
Wah
Based on Fender® Cyber-Twin® SE Wah
15
A dynamic auto-wah effect, controlled by how hard you play. Can add a funky, almost vocal vibe to your playing.
TapDelay
Creative delay effect unit
15
This creative delay effect unit can be used to create interesting and unusual delay effects thanks to the 8 totally independent taps. You can create grooving rhythm patterns by combining more taps with a specific time signature, and you can mix this up with psychedelic reverse tape effects you are able to set for each tap.
Tiny Terror
Officially Certified Orange® Tiny Terror™ Head Model
25
The UK-manufactured point-to-point, all hand wired, Tiny Terror Hand Wired Edition offers a step up from the already legendary Tiny Terror. A wider frequency response gives this amp more bite and punch. The Orange Tiny Terror is a compact classic!
RockerVerb 50
Officially Certified Orange® RockerVerb 50 MKII™ Head Model
25
Rockerverb is, to say the least, “dirty”, but it is by no means a one trick pony. Start at full gain and and then pull back to experience a variety of classic Orange tones. Whether you’re looking for metal, fusion, blues, rock or even country, the Rockerverb delivers!
PPC 112
Officially Certified Orange® PPC112 1x12" Cabinet Model
10
Nu-Tron III
Based on Musitronics Mu-Tron® III Automatic Wah
15
This effect is based on Musitronics Mu-Tron® III Automatic Wah from 1972. It became famous through its use with keyboards. Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa.
AD 30
Officially Certified Orange® AD30TC™ Combo Model
25
With a tight, springy and fast character, the AD30TC has its own original vintage sound. The AD30TC is the best candidate to be the new world standard for 30-watt Class A valve amplifiers.
PPC 212
Officially Certified Orange® PPC212 2x12" Cabinet Model
10
'65 Princeton Reverb
Officially Certified '65 Princeton® Reverb Model
25
For anybody who craves top – notch tube driven tone, naturally dynamic clean, overdriven tones, and unmistakable long Fender spring reverb and tube vibrato, here is the new ’65 Princeton Reverb Vintage Reissue. The legendary Princeton Reverb of the 1960s was originally intended for practice purposes, but thanks to its big tube tone and the countless guitarists that chose it as a studio amp, the ’65 Princeton Reverb became one of the legendary prize collectibles among Fender amps.
Soldano SLO-100
Officially Certified Soldano SLO-100 Model
35
The Soldano SLO-100 (Super Lead Overdrive) is true icon of high-gain tube distortion tone. The design has remained constant for over 20 years, and it is a hallmark of quality and design. It is often regarded as the finest guitar amp in the world. With the SLO-100 you have separate preamp and master volume controls along with three bands of equalization and a presence control. The SLO-100 uses the finest military grade components and custom designed transformers to put the industry's finest high-gain guitar tone right in your hands.
'57 Champ
Officially Certified Fender® '57 Champ® Model
25
Out of the late 1950s comes the prized compact tweed amp that is revered for both practice and recording because of its low, 5-watt output. With the volume turned all the way up, you can manipulate your tone using the guitar's own controls to go from glassy clean to bluesy overdrive with the amp reacting to the input signal just the way you want it to. Small but mighty, the '57 Champ is a true classic that belongs in the amp collection of every dedicated guitarist.
'65 Princeton 1x10
Officially Certified Fender® '65 Princeton® 1x10
10
'57 Champ 1x8
Officially Certified Fender® '57 Champ® 1x8
10
2x12 AD-30
Officially Certified Orange® AD30TC™ 2x12" Combo Cabinet Model
10
T-Rex Moller
Officially Certified T-Rex® Moller Model
25
The T-Rex Møller is a unique overdrive pedal that creates a wide variety overdriven tones with flexible tonal control along with a separate transparent 0-20 db adjustable and switchable clean boost and a special option to mix overdriven and clean signals. The Møller was developed in 2003 for a well known Danish guitarist named Knud Møller who wanted a tube screamer but with an added clean boost. T-Rex made the custom pedal based on the Alberta and subsequently named the Møller pedal after the guitarist.
T-Rex Mudhoney
Officially Certified T-Rex® Mudhoney Model
25
The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer. The boost button engages a high gain circuit for a more aggressive sound.
T-Rex Replica
Officially Certified T-Rex® Replica Model
25
The T-Rex Replica is possibly the world’s best delay pedal. With its astonishingly warm tone it is the perfect mix of controls that delivers everything the most demanding guitarists could ask for in a delay. The Replica is used by guitar heroes from Pete Townsend to John Mayer to deliver their classic sounds.
Shape Shifter
Officially Certified Seymour Duncan® Shape Shifter™ Stomp Box Model
25
This amazing stomp box reproduces the hypnotic, pulsing tremolo sound characteristic of ‘50s tube amps. It can also produce crazy and innovative tones never heard before. With its detailed "Wave" and "Shape" controls, it is one of the most versatile tremolo stomp boxes available.
The Wave control shapes the tremolo effect from a smooth sine wave to a sharper triangle wave to the abrupt “on/off effect” of a square wave. The Shape control sets the rise and fall time of the tremolo (how fast or slow the volume increases and decreases). This adds some very different variations to the tremolo effect: with a quick swell and a slow drop, the effect is percussive like a piano. Conversely, with a slow swell and a sudden drop, the result is reminiscent of a tape played backwards.
Power Grid
Officially Certified Seymour Duncan® Power Grid Stomp Box Model
25
The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section. It is perfect for all styles of rock.
The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry. This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control. The tone is further refined with three bands of active EQ. Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control. This allows you to create tones with a far greater degree of surgical precision than what’s possible with any distortion pedal with a traditional passive EQ.
Thunderverb 200
Officially Certified Orange® Thunderverb™ 200 Head Model
35
This powerful amplifier sports two clean/crunch lead channels, each with three stages of gain.
Channel A has the same 3-band EQ as the lead channel used on the Rockerverb series.
Channel B has a new shape control that scoops the mids and increases the bass and treble when turned up. Use this scoop knob to dial in everything from vintage rock to modern blues, hard rock to metal. Nothing can match the bone crushing, bottom-end punch of this big stage tone head.
Even when used quietly, you know you are in command of some serious power!
The Thunderverb 200 is the new standard for versatility in a guitar amplifier.
The Extended Tonal Range enables this revolutionary amplifier to also be used as a bass head.
1x12 Tiny Terror
Officially Certified Orange® Tiny Terror™ 1x12" Combo Cabinet Model
10
2x12 PPC OB
Officially Certified Orange® PPC212 2x12" Open-Back Cabinet Model
10
JCA20H
Officially Certified Jet City Amplification 333® JCA20H™ Model
25
Pure, simple and full of tube tone, JCA20H is a single-channel amp with absolutely no gimmicks or unnecessary features that might otherwise dilute the all-tube signal path. With full EQ control and separate Preamp and Master volumes, JCA20H can deliver tones from spanky clean through crunchy overdrive.
JCA100H
Officially Certified Jet City Amplification 333® JCA100H™ Model
35
With two channels of Soldano tone and its pure tube power, this amp was made for the big stage. The Normal channel has plenty of headroom to deliver clear, bright clean tones and can also be driven hard enough to get downright raunchy. The Overdrive channel is based on the the circuit that made Soldano famous.
HiAmp
Based on Hiwatt® DR103™ Amp
20
HiAmp is based on one of the most legendary British tube amplifiers. This amp’s full-bodied, warm sound characterized countless music productions and performances in the 70s and early 80s. The amp was highly valued for its warm clean and its powerful crunch tones.
4x12 HiAmp
Based on Hiwatt® 4x12
5
4x12 HiAmp
Powerball
Officially Certified Engl Powerball Head Model
35
The Powerball is based on one of the most powerful modern high-gain amplifiers from the Engl brand. It’s highly regarded for its heavy rhythm tones and its many sound-sculpting options. The Powerball has two main channels, and then each channel has two different modes. Channel I offers “Clean” and “Crunch,” and Channel II has “Low Lead” and “High Lead.” The Powerball has the power and flexibility to create everything from modern super high-gain leads to heavy crunch rhythms to crystal-clear clean tones.
Bottle 563
Based on Neumann® CMV-563
5
This model is based on one of the most legendary vintage tube condenser microphones. Its bright frequency response and gentle compression make this microphone a mandatory tool in your guitar rig.
Tube VM
Based on Brauner® VM1
5
The Tube VM condenser microphone provides an extremely natural, contemporary sound with extreme detail and clarity. The Tube VM sound is transparent and open, and this makes it the go-to mic for many artists and engineers around the globe.
AFD 100
Officially Certified Slash-Marshall® AFD100
35
The most aggressive amp head used by Slash. A dual mode amplifier that revisits the legendary tones of one of the most important rock albums of the last three decades: "Appetite for Destruction".
JCM Slash
Officially Certified Slash-Marshall® JCM SLASH 2555SL
35
The Marshall JCM Slash was designed to the specs of Slash's original 1987 Marshall Silver Jubilee 2555 amplifier. It was the first amplifier built by Marshall as a signature model.
Booster
Based on MXR® CAE MC401Boost/Line Driver
25
The booster stomp box used by Slash. It boosts your signal up to 20 dB. It's perfect for solos, punchy rhythm parts or to drive effects harder for more dynamics and sensitivity.
X-Chorus
X-Chorus Based on MXR® M134
25
The chorus stomp box used by Slash offering great control and flexibility. Used in one of the most famous song in the history of Rock: Paradise City. Use this stomp box with Clean/Crunch settings to add shimmer and moving modulation to arpeggios or chords.
OctoBlue
Based on MXR® Blue Box™ Octave Fuzz
25
The Fuzz/Octave stomp box used by Slash. Adds fuzz to your signal and then duplicates it two octaves down. This is one of the most evil and vicious pedals!
Gate
Based on MXR® Smart Gate®
25
The gate stomp box used by Slash. It gates out noise slowly when notes are being held and quickly when they are stopped short. Three filter cut-off points are available: Hiss, Mid, or Full Band.
/Delay
Based on BOSS® DD-3
25
The digital delay stomp box used by Slash. Based on one of the most famous modern digital delays. Use this effect to add space and repetitions to your parts.
WahDist
Based on Dunlop Slash Signature Wah SW95
25
The wah pedal with integrated distortion used by Slash. One of the most classic wahs combined with powerful high gain distortion. Very useful on rock solos to add expression and bending.
4x12 1960AV SL
Officially Certified Slash-Marshall® 1960AV cabinet
10
The angled 1960 AV 4x12 Slash Signature Cabinet, equipped with Vintage 30 drivers
4x12 1960BV SL
Officially Certified Slash-Marshall® 1960BV cabinet
10
The straight 1960 BV 4x12 Slash Signature Cabinet, equipped with Vintage 30 drivers
AD 200
Officially Certified Orange® AD200B MK 3™ Head Model
25
The AD 200 is quite simply one of the purest bass tube amplifiers ever produced. No bells and whistles, just the shortest signal path from your guitar to your speaker. Vintage-inspired, but full of modern tones, the AD200B has a creamy, dynamic low-end with a focused midrange crunch. Simple to use, this amp has only full EQ, master volume, and gain controls.
Dual Terror
Officially Certified Orange® Dual Terror™ Head Model
35
Twin channel 30 watt guitar head. Featuring a unique two stage preamp which has a massive tonal range using just three controls per channel. The Fat Channel delivers warmer tones whilst the Tiny Terror Channel has the sonic character of the original Tiny Terror.
OR 50
Officially Certified Orange® OR50H™ Head Model
25
In 1972 Orange launched an amp which came to define the Orange sound; years later it was dubbed the ‘Pics Only’ due the use of pictures and the absence of any text. Although not a reissue, the OR50H owes more than a nod to this vintage legend in its cosmetics, tone and even the construction techniques adopted.Featuring a traditional single channel with a three stage gain section, the real weapon in the OR50′s arsenal is the HF Drive control. This is two controls in one! As you turn the control clockwise you will hear the power amp presence increase whilst adding an extra dimension of power amp gain.This is truly one of the most versatile single channel amps ever created.
V3M
Officially Certified Carvin® V3M™ Head Model
35
The 50 watt V3M amp is the musician's dream, delivering awesome power with incredible tone including lush reverb. The V3M is one of the most versatile amplifier. It offers "Pristine Clean" for shimmering highs and deep bass. Switch the channel to classic rock with the deepest metal crunch or continuous sustain. Or, switch to another channel for rich harmonics infused from the "Soak" control for rich Jazz or country blues. Each channel incorporates its own character drive switches - "Bright to Soak" and "Thick" to "Intense" with EQ switches expanding the tone.
1x15 OBC 115
Officially Certified Orange® OBC115 1x15" Cabinet Model
10
4x10 OBC 410
Officially Certified Orange® OBC410 4x10
10
8x10 OBC 810
Officially Certified Orange® OBC810 8x10" Cabinet Model
10
2x12 V3M
Officially Certified Carvin® 212V 2x12 Cab Model
10
Contour Wah
Officially Certified Morley® Contour Wah Pedal Model
25
One of the most versatile yet modern sounding wah pedals. Thanx to its array of controls it can be tweaked to suit many styles and sounds; the Contour and Level controls allow to fine tune the high end response and personality of the pedal from mellow to bright and cutting, while the Auto-off feature adds tremendous flexibility to the pedal’s functionality. Works with Bass guitar too!
EP Tape Echo
Based on Maestro® Echoplex™
30
The EP Tape Echo is the gold standard of vintage tape-echo units. Hendrix liked experimenting with it to produce wild psychedelic effects in the studio, and he used it heavily during the recording of Electric Ladyland.
JH 1200
Based on the Sunn® 1200S
20
The JH 1200 is an high-powered tube bass head. Concertgoers at any Hendrix show between 1967 and 1968 would have seen an entire backline consisting of Sunn amps and cabinets. As with many amps from the psychedelic era, the ultra-loud 1200 was popular with both guitarists and bass players.
JH Gold
Based on Marshall® JTM 45™
30
“The” amp that Hendrix used almost exclusively from 1968 on. He liked to crank it to full volume and chain multiple heads to produce a huge, mind-blowing wall of sound. The new model has been reworked from the ground up, using IK’s DSM™ and SCC™ modeling technologies, and includes both the Normal and Treble channels, plus fully modeled channel bridging.
SilverTwelve
Based on Silvertone® Twin Twelve 1484
30
A 60W tube head which Hendrix used in the early part of his career. The amp produces a powerful clean sound, as well as a gritty distortion that has stood the test of time from the psychedelic era through the Grunge period and into today’s modern rock.
Seek Wah
Officially Certified Z.Vex® Seek Wah Stomp Box Model
25
A wah with a 4-, 6-, or 8-step analog-style sequencer in it, featuring LEDs that light up to show the steps. The speed control governs overall sequencer tempo, and the 4-6-8 switch governs the number of steps. This pedal produces rhythmic-pattern wah sounds that are totally unique.
Seek Trem
Officially Certified Z.Vex® Seek Trem Stomp Box Model
25
Seek Trem is a tremolo pedal combined with an adjustable 4-, 6-, or 8-step analog-style sequencer. Each step has a volume knob so that you can turn it up or down in the pedal’s output, giving you complete control over the rhythmic pattern, and allowing for ultimate creativity. There’s also a knob for adjusting the pattern’s overall speed.
OCD
Officially Certified Fulltone® OCD® Stomp Box Model
25
An overdrive pedal that provides the same kind of touch sensitivity and complex harmonics that you’d get from a quality tube amp. Volume, Tone, and Drive controls let you dial in the perfect sound for your song. Take your overdriven tones to a new level with OCD.
MAZ 18 Jr.
Officially Certified Dr. Z® MAZ 18 Jr. Model
25
This amp features EL84 output tubes, 12AX7 and 12AT7 preamp tubes, along with a GZ34 rectifier tube, and delivers a much bigger sound than its 18W rating would indicate. Our model faithfully recreates the smooth top end and tight bass response of the amp’s tone, as well as its awesome 3D reverb. Whether you’re using humbuckers or single-coil pickups, the Maz 18 Jr. will deliver plenty of definition, headroom and signature tone.
Z Wreck
Officially Certified Dr. Z® Z Wreck Head Model
25
It rocks, it twangs, and it provides incredible touch sensitivity to go along with killer tone. Push the volume past 12, on this 30W tube head and it will start getting crunchy. Turn the volume up higher and listen to it scream. With the amp set for crunch, roll off your guitar volume to get a clean tone without harshness.
1x12 MAZ 18 Jr.
Officially Certified Dr. Z® 1x12
10
A matching 2x12 cabinet for the Maz 18 Jr.
2x12 Z Wreck
Officially Certified Dr. Z® 2x12
10
A matching 2x12 cabinet for the Z-Wreck.
E650
Officially Certified Engl E650 Head Model
35
This model is based on the Engl E650 amp head which was designed as an evolution of the previous Savage technology. The amp design features two switchable channels with selectable HI/LO gain ranges, which share EQ settings, additional contour and bright switches to fine tune midrange and high end response. This effectively makes it a four channel amp. E650 is capable of a vast array of tones, from sparkling cleans to bone crunching distortions and lead tones. Many in between and crunch sounds can be found by judiciously setting the gain and tone controls.
E 412 PRO XXL
Officially Certified Engl E 412 PRO XXL Cabinet
10
E 412 Standard
Officially Certified Engl E 412 Standard Cabinet
10
Nirvana
Officially Certified Wampler Nirvana Chorus/Vibrato Stomp Box Model
25
As the name implies the Wampler Nirvana chorus pedal is geared towards eerie and ethereal sounds . On top of the "standard" chorus controls (Depth, Rate, Level) this pedal has a two selectors which allow to switch the chorus to vibrato (the Vib. switch) and to control the intensity of both voicings (be it chorus or vibrato) with three different levels of depth, so that the dedicated Depth knob will have a more precise action. The Tone control fine tunes the color of the modulated part, a feature which is missed on the majority of pedals.
Pinnacle Deluxe
Officially Certified Wampler Pinnacle Deluxe Stomp Box Model
25
Based on the eponymous pedal from the Wampler brand the Pinnacle Deluxe captures the original "Brown Sound" of the early plexi-style amplifiers pushed to the limits, a sound that was the trademark of many rock guitarists of the late '70s and early '80s, Eddie Van Halen to name just one... It features a dual gain stage mode: it can act as a mild overdrive to push the following amp into distortion, or via the "Boost" switch it can generate a thick amount of distortion on its own. The "Tone" knob covers the overall brightness of the distortion, while the "Contour" knob takes care of the critical midrange, allowing to scoop mids out or push them forward according tho the rhythm or lead duties it's called to serve.
Mark III
Officially Certified Mesa Boogie® Mark III™ Combo Model
35
Originally introduced in 1984, the MESA/Boogie Mark III was the first 3-channel “Tri-Modal Amplifier.” It features an amazing set of sonic sculpting options plus a three-channel setup: Rhythm, a distinct midrange “Crunch” Rhythm and a Lead channel — each with independent gain and master volume controls. Just like on the hardware counterpart, it sports a full spread of tone controls plus the vitally important Boogie 5-band Graphic EQ section.
Mark IV
Officially Certified Mesa Boogie® Mark IV™ Combo Model
35
The very definition of Mesa Engineering's signature high-gain sound, this update of the classic Mark III design from 1990 takes that unmistakable Boogie tone and makes it even better and more sonically versatile. Three big sounds with individual controls and total conviction define the tonal palette for this powerhouse of a unit. Its three channels deliver an incredibly wide sonic palette that stretches from sparkling cleans to ultra high-gain lead sounds that are rich with harmonics and sustain.
Dual Rectifier
Officially Certified Mesa Boogie® Dual Rectifier® Head Model
35
Soul, personality and feel — The MESA/Boogie Dual Rectifier is THE standard for modern high gain heavy guitar tone and more. The Recto is an aggressive amplifier designed for aggressive players — it's one of the most recorded amplifiers ever made and its tone can be heard rocking big-venue stages all over the world. Originally introduced in 1989, it delivers maximum flexibility of tone and has played a major role in defining the sound of grunge, metal and countless other heavy styles. It delivers 3-channel, 8-mode operation and varying levels of tube saturation as well as a virtually switchable tube/solid state rectifier section.
Triple Rectifier
Officially Certified Mesa Boogie® Triple Rectifier® Head Model
35
Want maximum headroom? You got it. The MESA/Boogie Triple Rectifier is THE standard for modern high gain heavy guitar tone and more. The MESA/Boogie Triple Rectifier is an aggressive amplifier designed for aggressive players — it's one of the most recorded amplifiers ever made and its tone can be heard rocking big-venue stages all over the world. Originally introduced in 1989, it delivers maximum flexibility of tone and has played a major role in defining the sound of grunge, metal and countless other heavy styles. It delivers 3-channel, 8-mode operation and varying levels of tube saturation as well as a virtually switchable tube/solid state rectifier section.
TransAtlantic TA-30
Officially Certified Mesa Boogie® TransAtlantic® TA-30 Combo Model
35
A decidedly British tribute of an amplifier, the TransAtlantic TA-30 mixes simplicity of operation with comprehensive sonic sculpting. It sports two-channel operation with 5 distinct “Mode” voice choices that reference not only several classic British circuits but also some American ones as well. Each channel features the flexibility of 3 levels of output power, allowing for powerful response and character. Throw in a Gain Boost feature and 2 high gain options (HI 1 and HI 2 in Channel 2), and it's easy to see why this model covers every sound from the classic 60s to crushing contemporary and everything in between.
1x12 Mark III
Officially Certified Mesa Boogie® Mark III™ Combo Cabinet Model
10
1x12 Mark IV
Officially Certified Mesa Boogie® Mark IV™ Combo Cabinet Model
10
2x12 Recto Horizontal
Officially Certified Mesa Boogie® 2x12 Recto® Horizontal Cabinet Model
10
4x12 Recto Traditional Slant
Officially Certified Mesa Boogie® 4x12 Recto® Traditional Slant Cabinet Model
10
2x12 TransAtlantic TA-30
Officially Certified Mesa Boogie® TransAtlantic® TA-30 Combo Cabinet Model
10

Stomp

Diode Overdrive

Distortion

Feedback

Metal Distortion

Metal Distortion 2

Overdrive

OverScream

PROdrive

The Ambass'dor

Compressor

7 Band Graphic

10 Band Graphic

Envelope Filter

LFO Filter

Step Filter

Class Fuzz

Fuzz Age

Fuzz Age 2

Right Fuzz

Analog Flanger

Chorus-1

Electric Flanger

Metal Flanger

Opto Tremolo

Phaze Nine

Phazer 10

Small Phazer

Harmonator

Pitch Shifter

Wharmonator

Step Slicer

SCP-OD Overdrive

SCP-OCT Octaver

Analog Chorus

Analog Delay

Bass Wah

Compressor

Envelope Filter

Fender® Blender™

Fender® Fuzz Wah

Fender® Phaser

Fender® Tremolo

Fender® Wah

Fender® '63 Reverb

Fender® Tape Echo

Fender® Compressor

TapDelay

Nu-Tron III

T-Rex Moller

T-Rex Mudhoney

T-Rex Replica

Shape Shifter

Power Grid

X-Chorus

OctoBlue

Contour Wah

EP Tape Echo

Seek Wah

Seek Trem

Pinnacle Deluxe

Amp

American Tube Clean 1

American Tube Clean 2

American Tube Vintage

American Vintage B

American Vintage D

American Vintage T

British Lead S100

British Tube 30 TB

British Tube Lead 1

British Tube Lead 2

Metal Clean T

Metal Lead T

Metal Lead V

Metal Lead W

Modern Tube Lead

THD Bi-Valve

Tube Vintage Combo

Vintage Metal Lead

American Clean MKIII

American Lead MKIII

British Copper 30 TB

MB 150 S

Green BA250

Jazz Amp 120

Solid State Bass Preamp

Custom Modern Hi-Gain

Custom Solid State Clean

Custom Solid State Fuzz

Custom Solid State Lead

360Bass Preamp

SVT-CLASSIC

SVT-4PRO

'57 Deluxe

Pro Junior

'64 Vibroverb Custom

'65 Deluxe Reverb

'59 Bassman LTD

'65 Twin Reverb

Bassman 300 PRO

Champion 600

MH-500 Metalhead

Super-Sonic

TBP-1 Bass Preamp

Vibro-King Custom

Tiny Terror

RockerVerb 50

'65 Princeton Reverb

Soldano SLO-100

'57 Champ

Thunderverb 200

Powerball

JCM Slash

Dual Terror

SilverTwelve

MAZ 18 Jr.

Mark III

Dual Rectifier

Triple Rectifier

TransAtlantic TA-30

Cab

4x10 Closed Modern

4x10 Open Vintage

2x15 Closed B J130

2x15 Closed D J130

Rotary 147-1

Rotary 147-2

4x10+tw Bass

1x12 Bass

1x12 MB 150 S

1x15 Bass Vintage

1x18 Horn Bass

1x12 Combo

1x12 MB II

1x12 MB III

1x12 Open Modern

1x12 Open Vintage

2x12 Closed Vintage

2x12 Gry British Vint

2x12 JP Jazz

2x12 Open SL

2x12 Open T J120

2x12 Open Vintage

4x12 Closed 25 C

4x12 Closed 75 C

4x12 Closed J120

4x12 Closed Modern 1

4x12 Closed Modern 2

4x12 Closed Vintage 1

4x12 Closed Vintage 2

4x12 Metal F 1

4x12 Metal F 2

4x12 Metal T 1

4x12 Metal T 2

4x12 Metal T 3

4x12 Metal V 1

4x12 Metal V 2

4x12 Metal V 3

4x12 Modern M 1

4x12 Modern M 2

4x12 Modern M 3

4x12 Vintage M 1

4x12 Vintage M 2

4x10+tw TE Bass

'57 Deluxe 1x12

'59 Bassman 4x10

'64 Vibroverb 1x15

'65 Deluxe Reverb 1x12

'65 Twin Reverb 2x12

Pro Junior 1x10” Open Back

Super-Sonic 1x12” Open Back

Vibro-King 3x10” Open Back

810 PRO 8x10” Front Ported

Vibratone 1x10” Rotary Speaker

BXT-410H

MH-412SL 4x12” Closed Back

SVT-410H

SVT-810E

Champion 600 1x6” Open Back

'65 Princeton 1x10

'57 Champ 1x8

2x12 AD-30

1x12 Tiny Terror

2x12 PPC OB

4x12 HiAmp

4x12 1960AV SL

4x12 1960BV SL

1x15 OBC 115

4x10 OBC 410

8x10 OBC 810

2x12 V3M

1x12 MAZ 18 Jr.

2x12 Z Wreck

E 412 PRO XXL

E 412 Standard

1x12 Mark III

1x12 Mark IV

2x12 Recto Horizontal

4x12 Recto Traditional Slant

2x12 TransAtlantic TA-30

Rack

Digital Delay

Digital Reverb

Tap Delay

Graphic EQ

Parametric EQ

Tube Compressor

Step Filter

Analog Chorus

Digital Chorus

Digital Flanger

Rotary Speaker

Harmonator

Pitch Shifter

Step Slicer

Stereo Enhancer

Compressor

Pitch Shift

Fender® '63 Reverb

Sine Flange

Tape Echo

Triangle Chorus

Mic

Dynamic 57

Dynamic 20

Vintage Dynamic 20

Dynamic 421

Dynamic 441

Dynamic 609

Condenser 12

Condenser 67

Condenser 84

Condenser 87

Condenser 170

Condenser 414

Ribbon 121

Ribbon 160

MD1b-FET

Bottle 563

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