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Hugh Padgham Drums

Use the legendary "stone room" drum sound of engineer-producer Hugh Padgham in your next recording

Want to add some '80s punch and flair to your next big production? Check out Hugh Padgham Drums, a high-definition drum and MIDI groove SampleTank 3 instruments collection. It lets you take full control of the engineer-producer's unique "stone room" drum sound with over 3,600 samples and 240 MIDI patterns.

Remember the drum sound of Phil Collins’ smash hit “In the Air Tonight”? They have massive amounts of atmosphere and reverb, but they also manage to retain their clarity, punch and aggressiveness. Hugh Padgham engineered that sound, and now you can have it. Hugh Padgham Drums gives you access to his unique sound which has been featured on works by Genesis, Peter Gabriel, The Human League, Abba's Frida Lyngstad and countless other '80s hitmakers.

 

Hugh Padgham Drums gives you 27 multi-velocity and round robin drum kit instruments: You get 2 kick drums, 2 snare drums, 6 toms, 5 cymbals and a whole assortment of hi-hats. Each of these instruments has been sampled with multiple microphones in an extremely "live" sounding stone room. For each, you can adjust the mixture of ambience to include both room-miked and close-miked samples — this means you can add that same kind of dynamic atmosphere and punch to your playing.

The drums are mapped using an extended General MIDI mapping so you can mix-and-match kit elements from the Hugh Padgham Drums collection with elements from other SampleTank 3 factory drum kits or from other drum-centric SampleTank 3 instruments collections available in the Custom Shop like the Neil Peart or Terry Bozzio kits.

 

In addition to the sounds, you also get 240 MIDI patterns inspired by Hugh's classic works. These patterns have been programmed by IK's team of experts to inspire new on-the-spot percussive ideas.

And while it's sonic palette is ideal for rock and pop arrangements, Hugh Padgham Drums' adjustable mic mix means that it's sounds are also a great fit for metal, EDM, film score music and a whole lot more. Check it out today — add it to your universe of sound by going to the IK online store or the SampleTank Custom Shop.

 

Content

2 Multis

  • Hugh Padgham Kit
  • Hugh Padgham Pad Kit

11 Standard Kit Instruments

  • Hugh Padgham Kit
  • Hugh Padgham Eco Kit
  • HP Key Gate Kit
  • Hugh Padgham Crush Room Kit
  • Hugh Padgham Kicks
  • Hugh Padgham Snares
  • Hugh Padgham Toms
  • Hugh Padgham Hi-Hats
  • Hugh Padgham Ride Cymbal
  • Hugh Padgham Crash Cymbals
  • Hugh Padgham Hat, Ride, Crash

16 Room Mixing Kit Instruments

  • Hugh Padgham Kit RM
  • HP Key Gate Kit RM
  • Hugh Padgham Kicks RM
  • Hugh Padgham Snares RM
  • Hugh Padgham Toms RM
  • Hugh Padgham Hi-Hats RM
  • Hugh Padgham Rides RM
  • Hugh Padgham Crashes RM
  • Hugh Padgham Hat, Ride, Crash RM
  • Hugh Padgham Tom 1
  • Hugh Padgham Tom 2
  • Hugh Padgham Tom 3
  • Hugh Padgham Tom 4
  • Hugh Padgham Tom 5
  • Hugh Padgham Tom 6
  • GM Percussion RM

Library size

  • Over 3GB of content
  • Over 3,600 drum kit samples
  • 240 MIDI patterns
  • 2 Multis
  • 27 Instruments

240 MIDI Patterns

  • HP 1 Chorus1 120bpm_2bar
  • HP 1 Chorus2 120bpm_2bar
  • HP 1 Fill1 120bpm_1bar
  • HP 1 Fill2 120bpm_1bar
  • HP 1 Intro 120bpm_1bar
  • HP 1 Outro 120bpm_2bar
  • HP 1 Verse1 120bpm_2bar
  • HP 1 Verse2 120bpm_2bar
  • HP 2 Chorus1 145bpm_2bar
  • HP 2 Chorus2 145bpm_2bar
  • HP 2 Fill1 145bpm_2bar
  • HP 2 Fill2 145bpm_2bar
  • HP 2 Intro 145bpm_2bar
  • HP 2 Outro 145bpm_3bar
  • HP 2 Verse1 145bpm_2bar
  • HP 2 Verse2 145bpm_2bar
  • HP 3 Chorus1 110bpm_2bar
  • HP 3 Chorus2 110bpm_2bar
  • HP 3 Fill1 110bpm_1bar
  • HP 3 Fill2 110bpm_1bar
  • HP 3 Intro 110bpm_1bar
  • HP 3 Outro 110bpm_2bar
  • HP 3 Verse1 110bpm_2bar
  • HP 3 Verse2 110bpm_2bar
  • HP 4 Chorus1 87bpm_2bar
  • HP 4 Chorus2 87bpm_2bar
  • HP 4 Fill1 87bpm_1bar
  • HP 4 Fill2 87bpm_1bar
  • HP 4 Intro 87bpm_2bar
  • HP 4 Outro 87bpm_1bar
  • HP 4 Verse1 87bpm_2bar
  • HP 4 Verse2 87bpm_2bar
  • HP 5 Chorus1 120bpm_2bar
  • HP 5 Chorus2 120bpm_2bar
  • HP 5 Fill1 120bpm_1bar
  • HP 5 Fill2 120bpm_1bar
  • HP 5 Intro 120bpm_1bar
  • HP 5 Outro 120bpm_2bar
  • HP 5 Verse1 120bpm_2bar
  • HP 5 Verse2 120bpm_2bar
  • HP 6 Chorus1 95bpm_2bar
  • HP 6 Chorus2 95bpm_2bar
  • HP 6 Fill1 95bpm_2bar
  • HP 6 Fill2 95bpm_2bar
  • HP 6 Intro 95bpm_1bar
  • HP 6 Outro 95bpm_2bar
  • HP 6 Verse1 95bpm_2bar
  • HP 6 Verse2 95bpm_2bar
  • HP 7 Chorus1 95bpm_1bar
  • HP 7 Chorus2 95bpm_1bar
  • HP 7 Fill1 95bpm_1bar
  • HP 7 Fill2 95bpm_1bar
  • HP 7 Intro 95bpm_1bar
  • HP 7 Outro 95bpm_2bar
  • HP 7 Verse1 95bpm_1bar
  • HP 7 Verse2 95bpm_1bar
  • HP 8 Chorus1 105bpm_2bar
  • HP 8 Chorus2 105bpm_2bar
  • HP 8 Fill1 105bpm_1bar
  • HP 8 Fill2 105bpm_1bar
  • HP 8 Intro 105bpm_1bar
  • HP 8 Outro 105bpm_2bar
  • HP 8 Verse1 105bpm_2bar
  • HP 8 Verse2 105bpm_2bar
  • HP 9 Chorus1 105bpm_2bar
  • HP 9 Chorus2 105bpm_2bar
  • HP 9 Fill1 105bpm_2bar
  • HP 9 Fill2 105bpm_2bar
  • HP 9 Intro 105bpm_1bar
  • HP 9 Outro 105bpm_2bar
  • HP 9 Verse1 105bpm_2bar
  • HP 9 Verse2 105bpm_2bar
  • HP 10 Chorus1 95bpm_2bar
  • HP 10 Chorus2 95bpm_2bar
  • HP 10 Fill1 95bpm_1bar
  • HP 10 Fill2 95bpm_1bar
  • HP 10 Intro 95bpm_1bar
  • HP 10 Outro 95bpm_2bar
  • HP 10 Verse1 95bpm_2bar
  • HP 10 Verse2 95bpm_2bar
  • HP 11 Chorus1 120bpm_2bar
  • HP 11 Chorus2 120bpm_2bar
  • HP 11 Fill1 120bpm_1bar
  • HP 11 Fill2 120bpm_1bar
  • HP 11 Intro 120bpm_1bar
  • HP 11 Outro 120bpm_3bar
  • HP 11 Verse1 120bpm_2bar
  • HP 11 Verse2 120bpm_2bar
  • HP 12 Chorus1 200bpm_2bar
  • HP 12 Chorus2 200bpm_2bar
  • HP 12 Fill1 200bpm_2bar
  • HP 12 Fill2 200bpm_2bar
  • HP 12 Intro 200bpm_2bar
  • HP 12 Outro 200bpm_3bar
  • HP 12 Verse1 200bpm_2bar
  • HP 12 Verse2 200bpm_2bar
  • HP 13 Chorus1 95bpm_2bar
  • HP 13 Chorus2 95bpm_2bar
  • HP 13 Fill1 95bpm_2bar
  • HP 13 Fill2 95bpm_2bar
  • HP 13 Intro 95bpm_1bar
  • HP 13 Outro 95bpm_2bar
  • HP 13 Verse1 95bpm_2bar
  • HP 13 Verse2 95bpm_2bar
  • HP 14 Chorus1 135bpm_2bar
  • HP 14 Chorus2 135bpm_2bar
  • HP 14 Fill1 135bpm_2bar
  • HP 14 Fill2 135bpm_2bar
  • HP 14 Intro 135bpm_2bar
  • HP 14 Outro 135bpm_2bar
  • HP 14 Verse1 135bpm_2bar
  • HP 14 Verse2 135bpm_2bar
  • HP 15 Chorus1 93bpm_2bar
  • HP 15 Chorus2 93bpm_2bar
  • HP 15 Fill1 93bpm_2bar
  • HP 15 Fill2 93bpm_2bar
  • HP 15 Intro 93bpm_2bar
  • HP 15 Outro 93bpm_3bar
  • HP 15 Verse1 93bpm_2bar
  • HP 15 Verse2 93bpm_2bar

  • HP 16 Chorus1 130bpm_2bar
  • HP 16 Chorus2 130bpm_2bar
  • HP 16 Fill1 130bpm_1bar
  • HP 16 Fill2 130bpm_1bar
  • HP 16 Intro 130bpm_2bar
  • HP 16 Outro 130bpm_2bar
  • HP 16 Verse1 130bpm_2bar
  • HP 16 Verse2 130bpm_2bar
  • HP 17 Chorus1 95bpm_2bar
  • HP 17 Chorus2 95bpm_2bar
  • HP 17 Fill1 95bpm_2bar
  • HP 17 Fill2 95bpm_2bar
  • HP 17 Intro 95bpm_1bar
  • HP 17 Outro 95bpm_2bar
  • HP 17 Verse1 95bpm_2bar
  • HP 17 Verse2 95bpm_2bar
  • HP 18 Chorus1 140bpm_2bar
  • HP 18 Chorus2 140bpm_2bar
  • HP 18 Fill1 140bpm_2bar
  • HP 18 Fill2 140bpm_2bar
  • HP 18 Intro 140bpm_1bar
  • HP 18 Outro 140bpm_3bar
  • HP 18 Verse1 140bpm_2bar
  • HP 18 Verse2 140bpm_2bar
  • HP 19 Chorus1 120bpm_2bar
  • HP 19 Chorus2 120bpm_2bar
  • HP 19 Fill1 120bpm_2bar
  • HP 19 Fill2 120bpm_2bar
  • HP 19 Intro 120bpm_2bar
  • HP 19 Intro 120bpm_3bar
  • HP 19 Verse1 120bpm_2bar
  • HP 19 Verse2 120bpm_2bar
  • HP 20 Chorus1 132bpm_2bar
  • HP 20 Chorus2 132bpm_2bar
  • HP 20 Fill1 132bpm_2bar
  • HP 20 Fill2 132bpm_2bar
  • HP 20 Intro 132bpm_2bar
  • HP 20 Outro 132bpm_2bar
  • HP 20 Verse1 132bpm_2bar
  • HP 20 Verse2 132bpm_2bar
  • HP 21 Chorus1 105bpm_2bar
  • HP 21 Chorus2 105bpm_2bar
  • HP 21 Fill1 105bpm_2bar
  • HP 21 Fill2 105bpm_2bar
  • HP 21 Intro 105bpm_1bar
  • HP 21 Outro 105bpm_2bar
  • HP 21 Verse1 105bpm_2bar
  • HP 21 Verse2 105bpm_2bar
  • HP 22 Chorus1 92bpm_2bar
  • HP 22 Chorus2 92bpm_2bar
  • HP 22 Fill1 92bpm_2bar
  • HP 22 Fill2 92bpm_2bar
  • HP 22 Intro 92bpm_1bar
  • HP 22 Outro 92bpm_2bar
  • HP 22 Verse1 92bpm_2bar
  • HP 22 Verse2 92bpm_2bar
  • HP 23 Chorus1 123bpm_2bar
  • HP 23 Chorus2 123bpm_2bar
  • HP 23 Fill1 123bpm_2bar
  • HP 23 Fill2 123bpm_2bar
  • HP 23 Intro 123bpm_2bar
  • HP 23 Outro 123bpm_3bar
  • HP 23 Verse1 123bpm_2bar
  • HP 23 Verse2 123bpm_2bar
  • HP 24 Chorus1 92bpm_2bar
  • HP 24 Chorus2 92bpm_2bar
  • HP 24 Fill1 92bpm_2bar
  • HP 24 Fill2 92bpm_2bar
  • HP 24 Intro 92bpm_1bar
  • HP 24 Outro 92bpm_2bar
  • HP 24 Verse1 92bpm_2bar
  • HP 24 Verse2 92bpm_2bar
  • HP 25 Chorus1 112bpm_2bar
  • HP 25 Chorus2 112bpm_2bar
  • HP 25 Fill1 112bpm_2bar
  • HP 25 Fill2 112bpm_2bar
  • HP 25 Intro 112bpm_2bar
  • HP 25 Outro 112bpm_3bar
  • HP 25 Verse1 112bpm_2bar
  • HP 25 Verse2 112bpm_2bar
  • HP 26 Chorus1 132bpm_2bar
  • HP 26 Chorus2 132bpm_2bar
  • HP 26 Fill1 132bpm_2bar
  • HP 26 Fill2 132bpm_2bar
  • HP 26 Intro 132bpm_2bar
  • HP 26 Outro 132bpm_3bar
  • HP 26 Verse1 132bpm_2bar
  • HP 26 Verse2 132bpm_2bar
  • HP 27 Chorus1 132bpm_2bar
  • HP 27 Chorus2 132bpm_2bar
  • HP 27 Fill1 132bpm_2bar
  • HP 27 Fill2 132bpm_2bar
  • HP 27 Intro 132bpm_2bar
  • HP 27 Outro 132bpm_2bar
  • HP 27 Verse1 132bpm_2bar
  • HP 27 Verse2 132bpm_2bar
  • HP 28 Chorus1 132bpm_2bar
  • HP 28 Chorus2 132bpm_2bar
  • HP 28 Fill1 132bpm_2bar
  • HP 28 Fill2 132bpm_2bar
  • HP 28 Intro 132bpm_2bar
  • HP 28 Outro 132bpm_3bar
  • HP 28 Verse1 132bpm_2bar
  • HP 28 Verse2 132bpm_2bar
  • HP 29 Chorus1 132bpm_2bar
  • HP 29 Chorus2 132bpm_2bar
  • HP 29 Fill1 132bpm_2bar
  • HP 29 Fill2 132bpm_2bar
  • HP 29 Intro 132bpm_2bar
  • HP 29 Outro 132bpm_3bar
  • HP 29 Verse1 132bpm_2bar
  • HP 29 Verse2 132bpm_2bar
  • HP 30 Chorus1 105bpm_2bar
  • HP 30 Chorus2 105bpm_2bar
  • HP 30 Fill1 105bpm_2bar
  • HP 30 Fill2 105bpm_2bar
  • HP 30 Intro 105bpm_2bar
  • HP 30 Outro 105bpm_3bar
  • HP 30 Verse1 105bpm_2bar
  • HP 30 Verse2 105bpm_2bar

 

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