 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
Trailer
Included Gear
Reviews
Awards
Video Demo
Testimonials
This effect is based on Musitronics Mu-Tron® III Automatic Wah from 1972. It became famous through its use with keyboards. Filters allowed for low-pass, bandpass, and high-pass filter response which could be triggered from low to high frequency or vice versa.
The Power Grid is a high gain, solid state distortion pedal capable of a myriad of tones thanks to a three-band active EQ section. It is perfect for all styles of rock.<br> The pedal is designed to provide powerful overdrive and distortion suitable for all kinds of rhythm and lead playing thanks to five stages of discrete Class A circuitry. This raw horsepower is managed by a multi-element gain and volume control system that provides very fine control. The tone is further refined with three bands of active EQ. Each band allows for up to 12dB of boost or cut at selectable frequencies for maximum control. This allows you to create tones with a far greater degree of surgical precision than what’s possible with any distortion pedal with a traditional passive EQ.
This amazing stomp box reproduces the hypnotic, pulsing tremolo sound characteristic of ‘50s tube amps. It can also produce crazy and innovative tones never heard before. With its detailed "Wave" and "Shape" controls, it is one of the most versatile tremolo stomp boxes available. <br> The Wave control shapes the tremolo effect from a smooth sine wave to a sharper triangle wave to the abrupt “on/off effect” of a square wave. The Shape control sets the rise and fall time of the tremolo (how fast or slow the volume increases and decreases). This adds some very different variations to the tremolo effect: with a quick swell and a slow drop, the effect is percussive like a piano. Conversely, with a slow swell and a sudden drop, the result is reminiscent of a tape played backwards. <br>
The T-Rex Møller is a unique overdrive pedal that creates a wide variety overdriven tones with flexible tonal control along with a separate transparent 0-20 db adjustable and switchable clean boost and a special option to mix overdriven and clean signals. The Møller was developed in 2003 for a well known Danish guitarist named Knud Møller who wanted a tube screamer but with an added clean boost. T-Rex made the custom pedal based on the Alberta and subsequently named the Møller pedal after the guitarist.
The T-Rex Mudhoney is designed for those looking for an in-your-face wall of sound jumping out of the speakers. The boost button and the tone knob give you the ability to dial in any sound you like from ultra fuzz to smooth jazz sounds. With the boost function bypassed, the Mudhoney delivers moderate gain and a rich, smooth sound that many jazz guitarists prefer. The boost button engages a high gain circuit for a more aggressive sound.
The T-Rex Replica is possibly the world’s best delay pedal. With its astonishingly warm tone it is the perfect mix of controls that delivers everything the most demanding guitarists could ask for in a delay. The Replica is used by guitar heroes from Pete Townsend to John Mayer to deliver their classic sounds.
Out of the late 1950s comes the prized compact tweed amp that is revered for both practice and recording because of its low, 5-watt output. With the volume turned all the way up, you can manipulate your tone using the guitar's own controls to go from glassy clean to bluesy overdrive with the amp reacting to the input signal just the way you want it to. Small but mighty, the '57 Champ is a true classic that belongs in the amp collection of every dedicated guitarist.
With a tight, springy and fast character, the AD-30TC has its own original vintage sound. The AD-30TC is the best candidate to be the new world standard for 30-watt Class A valve amplifiers.
German Gain is based on one the most powerful modern high-gain amplifiers. It’s highly regarded for its heavy rhythm tones and its many sound-sculpting options. German Gain has two main channels, and then each channel has two different modes. Channel I offers "Clean" and "Crunch,” and Channel II has "Low Lead" and "High Lead." German Gain has the power and flexiblity to create everything from modern super high-gain leads to heavy crunch rhythms to ultra-clear clean tones.
HiAmp is based on one of the most legendary British tube amplifiers. This amp’s full-bodied, warm sound characterized countless music productions and performances in the 70s and early 80s. The amp was highly valued for its warm clean and its powerful crunch tones.
 |
 |
AmpliTube® is aregistered trademark property of IK Multimedia Production. All other product names and images, trademarks and artists names are the property of their respective owners, which are in no way associated or affiliated with IK Multimedia. Product names are used solely for the purpose of identifying the specific products that were studied during IK Multimedia’s sound model development and for describing certain types of tones produced with IK Multimedia’s digital modeling technology. Use of these names does not imply any cooperation or endorsement. FENDER™, STRATOCASTER™ and the distinctive headstock designs displayed here, and all FENDER amplifiers, logos, and trade dress are the trademarks of FMIC and used herein under license. All rights reserved. AMPEG® is a registered trademark of LOUD Technologies, Inc. used under license. Jimi Hendrix™ name used under license of Authentic Hendrix, LLC. © TM Authentic Hendrix, LLC. Mac and the Mac logo are trademarks of Apple Computer, Inc., registered in the U.S. and other countries. Windows Vista and the Windows logo are trademarks or registered trademarks of Microsoft Corporation in the United States and/or other countries. QuickTime and the QuickTime logo are trademarks or registered trademarks of Apple Computer, Inc., used under license therefrom. The Audio Units logo is a trademark of Apple Computer, Inc. VST is a trademark of Steinberg Media Technologies GmbH.
- ACOUSTIC® is a registered trademark of Guitar Center, Inc.
- AKG® is a registered trademark of AKG Acoustics GmbH.
- AMPEG® is a trademark of LOUD Technologies, Inc.
- ARBITER® FUZZ FACE® is a registered trademark of Arbiter Group Plc.
- BEYERDYNAMIC® is a registered trademark of Beyerdynamic GmbH & Co.
- BOSS® is a trademark of Roland Corporation.
- BRAUNER® is a registered trademark of Dirk Brauner.
- CELESTION™ is a trademark of Celestion International Ltd.
- DIGITECH WHAMMY™ is a registered trademark of Harman International Industries, Incorporated.
- ELECTRO-HARMONIX® is a registered trademark of New Sensor Corporation.
- ELECTRO-VOICE® is a trademark of Electro-Voice, Inc.
- ENGL® is a registered trademark of Edmund Engl.
- FENDER®, BASSMAN®, DELUXE REVERB®, SUPER REVERB® are registered trademarks of Fender Musical Instruments Corporation.
- FENDER®, BASSMAN®, TWIN REVERB®, DELUXE™, DELUXE REVERB®, VIBROVERB™, VIBRO-KING®, CHAMPION™ 600, SUPER-SONIC™, MH-500 METALHEAD™, PRO JUNIOR™, BASSMAN® 300, CYBER-TWIN®, BLENDER™, SUPER REVERB®, CHAMP®, PRINCETON®, are trademarks or registered trademarks of Fender Musical Instruments Corporation.
- FUZZRITE® is a registered trademark of Andy Moseley.
- GALLIEN-KRUEGER® is a registered trademark of Gallien-Krueger Corporation.
- GROOVE TUBES® MD1b-FET, GROOVE TUBES® VELO-8 are registered trademarks of ROKR Ventures, Inc.
- HIWATT® is a registered trademark of FERNANDES COMPANY LTD.
- IBANEZ® is a registered trademark of Hoshino Gakki Co. Ltd. Corporation.
- JBL® is a registered trademark of JBL Professional.
- JET CITY AMPLIFICATION 333® is a registered trademark property of 333 Enterprises Incorporated DBA Jet City Amplification Corporation.
- JIMI HENDRIX™ name used under license of Authentic Hendrix, LLC. © TM Authentic Hendrix, LLC.
- LESLIE™ is a registered trademark of Hammond Suzuki USA, Inc.
- MAESTRO® FUZZTONE is a registered trademark of Gibson Electronics.
- MARSHALL®, 1959 JTM100™ Super Lead, JMP100™ are registered trademarks and trademarks of Marshall Amplification Plc.
- MESA/BOOGIE® and RECTIFIER® are trademarks of Mesa/Boogie Ltd.
- MOSRITE® is a registered trademark of Loretta Moseley.
- MU-TRON® III is a registered trademark of Zajac, Henry A., Jr. Washington, NJ 07882.
- MXR® is a registered trademark of Applied Research and Technology, Inc.
- NEUMANN® is a registered trademark of Georg Neumann GmbH.
- ORANGE® is a registered trademark property of Orange Music Electronic Company Ltd.
- PEAVEY® is a registered trademark of Peavey Electronics Corporation.
- PRO CO RAT™ is a trademark of ProCo Sound, Inc.
- RANDALL® is a registered trademark of Randall Amplifiers a division of U.S. Music Corp.
- ROGER MAYER™, Classic Fuzz®, Axis Fuzz®, Octavia®, are trademarks and registered trademarks of Roger Mayer.
- ROLAND® is a registered trademark of Roland Corporation.
- ROYER® is a registered trademark of Bulldog Audio, Inc. DBA Royer Labs Corporation.
- SEARS® is a registered trademark of Sears Brand, LLC.
- SENNHEISER® is a trademark of Sennheiser Electronic Corp.
- SEYMOUR DUNCAN® is a registered trademark of Carter Duncan Corporation
- SHURE® is a registered trademark of Shure Incorporated.
- SILVERTONE® is a registered trademark of Samick Music Corporation.
- SOLDANO® is a registered trademark property of Gremlin Inc. DBA Soldano Custom Amplification Corporation.
- SUPRO® is a trademark of Zinky Electronics.
- SWR® and Goliath™ are trademarks of SWR Sound Corporation.
- T-REX ENGINEERING® is a registered trademark property of T-Rex Engineering ApS Corporation.
- THD® BIVALVE is a trademark of THD Electronics Ltd.
- TRACE ELLIOT is a registered trademark of Peavey Electronics Corporation.
- TUBE SCREAMER® is a registered trademark of Hoshino Gakki Co. Ltd.
- UNI-VIBE™ is a trademark of Korg USA Corporation.
- UNIVOX™ is a trademark of Korg USA Corporation.
- VHT® is a trademark of VHT Amplification, Inc.
- VOX® and VOX® WAH V846 are registered trademarks of VOX Amplification Ltd.
- 5150® is a registered trademark of Edward Van Halen.